Patricia Marx

Mr Kaye demonstrates how to imitate a French accent.

Daniel Ellsberg and Patricia Ellsberg discuss Ellsberg’s release of the Pentagon Papers, and why he risked life in prison to bring a stop to the Vietnam war, which he had helped plan. They are joined by filmmaker Rick Goldsmith, a producer and director of the documentary "The Most Dangerous Man ...

A master of the accent.

Patricia Marx interviews film and theater critic John Simon, who has recently published "Private Screenings" (1967), his newest compilation of film reviews. Mr. Simon discusses whether or not film has become the most vital art form of the day and whether or not it receives the criticism it deserves. He ...

What makes a good dancer?

The man of a thousand Ninas.

The difference between a Democratic Socialist and the democratic left.

Patricia Marx interviews Thomas Wilfred, a pioneer in the art of light. Mr. Wilfred gives an overview of his life, explaining his lifelong fascination with light and how he made a living before creating Lumia, or art created from light. He also discusses the Clavilux, an instrument created specifically for ...

The making of 2001: A Space Odessey

A report on the slow progress of integration in The South.

How to end the war in Vietnam.

Nuclear physicist and artist Earl M. Reiback on the development of his light sculptures and theory of "luminal art".

Patricia Marx talks with Wolf von Eckardt, architecture critic for the Washington Post and author of the recently released book A Place to Live: The Crisis of the Cities. Von Eckardt expresses his desire to see technology used more in modern architecture while also retaining connections to the past. ...

The war in Vietnam goes on and on and on.

The liberal voice of the Times.

How to turn a great play into a great film.

Colin Davis on why he became a conductor.

He says the war in Vietnam can only end through negotiation.

Dickey describes inspiration as "communication from the beyond"--a haunting of irrational associations continuously floating to the surface of his consciousness.

Comedian Dick Gregory isn't joking around here.