Chris Klimek

Each week, guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Lady Audaci-Tea, a summer of good movies and Hair Plugs & Heartache.

Each week, guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Beware the Woman, Dungeons and Drag Queens, and the DVD menu of The Social Network.

Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Alice in Borderland Season 2, and the films Aftersun, After Yang and Jeanne Dielman.

Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Making Shazam playlists, Chris Klimek's annual mixtape, NPR Best Music of 2022 and more.

Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Bono's memoir, the Philly Orchestra playing Dancing On My Own, and Tove Lo's Dirt Femme.

Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Devil in a Blue Dress, Evil, and more.

Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: the show Love Life, the podcast The Shrink Next Door and more.

Each week, the guests and hosts on Pop Culture Happy Hour share what's bringing them joy. Today it's a new French horror movie, Titane, Netflix's Midnight Mass, and the web series Dimension 20.

The last James Bond movie to star Daniel Craig is out today; Chris Klimek argues that Craig is the "bookend Bond," showing us 007 at the beginning and end, but never the prime of his career.

Each week, the guests and hosts on Pop Culture Happy Hour share what's bringing them joy. Today it's Making the Cut, The Twilight Saga and RuPaul's Drag Race All Stars.

A top-secret cache of sperm is stored under the Space Needle in Hot White Heist. Bob Odenkirk stars as a suburban dad with a secret identity in Nobody. And it's Criterion Collection's neonoir month.

As a soldier reanimated by nanobots, Vin Diesel — "a lumbering fireplug who runs like John Wayne and fights like Roger Moore" — underperforms.

Two men struggle to eke out a living in the Oregon Territory by stealing the milk of a wealthy landowner in writer-director Kelly Reichardt's film.

Guy Ritchie returns to the genre he made his bones on, and the film's "rigorous and largely circular" plot is fun; more fun than McConaughey's undercooked performance, anyway.

Sam Mendes' technique — stringing together a series of long takes to seem continuous, as if the story's events unfold in real time — makes for a "wholly absorbing cinematic experience."

Mariah Carey's "All I Want For Christmas Is You" is back at the top of the chart a quarter century after it was first released. So why haven't there been any lasting Christmas songs to take its place?

Clint Eastwood's workmanlike account of a man falsely accused of the 1996 Olympic bombing clears Jewell's name while baselessly and maliciously smearing a real-life reporter's in the process.

Roland Emmerich's CGI-heavy depiction of the WWII battle that turned the tide in the Pacific isn't boring, but it's familiar beats ensure it's more a movie about war movies than it is about war.

Linda Hamilton is back — and funny! — as Sarah Connor in a lean, propulsive and women-centered sequel that seeks to wave away the recent sequels in the Terminator franchise.

The film dutifully captures the 14 songs from the Boss' latest album, but the half-hour of extra interstitial footage doesn't supply any new or meaningful context.