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I’ve been fascinated with the idea of “speech melody” ever since I first heard Steve Reich’s Different Trains performed outdoors by the Kronos Quartet during one of many adolescent summers at music camp. There’s something hyper-human about re-contextualizing the basic cadences of speech into a melodic arc that struck me then, as now, as incredibly moving and, not coincidentally, communicative.

I’ve been fascinated with the idea of “speech melody” ever since I first heard Steve Reich’s Different Trains performed outdoors by the Kronos Quartet during one of many adolescent summers at music camp. There’s something hyper-human about re-contextualizing the basic cadences of speech into a melodic arc that struck me then, as now, as incredibly moving and, not coincidentally, communicative.