David Krasnow

Executive Producer, The New Yorker Radio Hour

David Krasnow appears in the following:

La Musica Della Mafia

Saturday, December 13, 2003

The songs in this collection of traditional Italian folk music were all written by, for and about the Mafia, and provide a tantalizing oral history of Italy's mythic criminal universe. Produced by David Krasnow.

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Money

Saturday, November 15, 2003

In 1978, in the worst urban blight New York City had ever experienced, the filmmaker Henry Hills found the arts thriving in the in the cracks in the asphalt. He filmed dancers improvising in vacant lots, poets giving lectures on the street, and composers like John Zorn giving loft concerts. ...

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Billy Collins/Walt Whitman

Saturday, November 08, 2003

Billy Collins just completed his term as Poet Laureate of the United States. Collins reads from Walt Whitman's Song of Myself and talks about the challenge of writing poetry about big things like democracy. Produced by David Krasnow.

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Documenting Dance

Saturday, August 02, 2003

You may remember a part of a dance you’ve seen, a beautiful movement or a striking arrangement of bodies. But you probably couldn’t recreate those things, and you'd have a tough time trying to convey someone else how to do the dance. As David Krasnow discovered, dancers themselves are ...

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My Mentor

Saturday, July 26, 2003

Alec Wilkinson was just a young guy when he decided that he could become a writer and maybe get rich. He found the perfect teacher. After a career editing John Updike and Vladimir Nabokov, William Maxwell took this clueless kid under his wing. Wilkinson is now ...

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Birth of the Novel

Saturday, June 21, 2003

A couple of centuries ago, when the novel was first coming into its own in English literature, writers and publishers had no scruples about pretending their fiction was the god's-honest truth. Then as now, lots of readers felt that nonfiction was more important. Studio 360's David Krasnow went looking ...

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Dia Beacon

Saturday, June 14, 2003

Kurt Andersen and Michael Govan, the director of Dia:Beacon, tour this new museum housed in an old printing building in the Hudson Valley, about 75 miles north of New York City. Dia made this space so it could house sculpture and art that would never fit comfortably in ...

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Money

Saturday, May 10, 2003

In 1978, in the worst urban blight New York City had ever experienced, the filmmaker Henry Hills found the arts thriving in the in the cracks in the asphalt. He filmed dancers improvising in vacant lots, poets giving lectures on the street, and composers like John Zorn giving loft concerts. ...

Comment

Design for the Real World: Ballpark

Saturday, April 19, 2003

Baseball season has just begun. Designer and Cleveland Indians loyalist Michael Bierut is a huge fan of the game and a connoisseur of the ballpark. He looks at what separates the mid-century monstrosity from the field of dreams. Produced by David Krasnow.

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Matthew Barney at the Guggenheim

Thursday, March 13, 2003

The Guggenheim Museum has just unveiled one of the art world's most anticipated spectacles: an exhibition of Matthew Barney's Cremaster cycle. The show includes sculptures, photographs, banners, installations, and feature films. It also features the use of non-traditional unstable materials...like vaseline.

During the installation, David ...

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Matthew Barney

Saturday, March 08, 2003

Last month, the Guggenheim Museum unveiled one of the art world's most anticipated spectacles: an exhibition of Matthew Barney's Cremaster cycle. In the films and sculptures that make up the Cremaster cycle, Barney makes bizarre use of everyday materials, including concrete, tapioca, Vaseline and rock salt. While the ...

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Anonymous

Saturday, February 01, 2003

When we think about support for the arts, certain names come to mind, like Mellon, and Guggenheim, and MacArthur. But in every concert hall and museum, the wall of benefactors is engraved with a few patrons who go by "anonymous." Who are these people? Produced by David Krasnow.

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The Icarus Paintings

Saturday, January 04, 2003

The myth of Icarus symbolizes fleeting glory, and the foolishness of flying too high, literally and figuratively. A story about Spencer Finch, a painter who tried to depict Icarus' hubris and doom. Produced by David Krasnow.

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Toy Piano

Saturday, December 28, 2002

Margaret Leng Tan, a virtuoso of the grand piano, takes Schroeder‘s place at the plastic one.

(Originally aired: July 4, 2002)

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Documenting Dance

Saturday, December 07, 2002

You may remember a part of a dance you’ve seen, a beautiful movement or a striking arrangement of bodies. But you probably couldn’t recreate those things, and you'd have a tough time trying to convey someone else how to do the dance. As producer David Krasnow discovered, dancers themselves ...

Comment

La Musica Della Mafia

Saturday, October 05, 2002

The songs in this collection of traditional Italian folk music were all written by, for, and about the Mafia, and provide a tantalizing oral history of Italy's mythic criminal universe.

Comment

Mysterian Shapes

Saturday, September 21, 2002

When east coast photographer Nick Muellner set out for the arid basins of southeast Utah, he brought with him a book by the Russian writer Vladimir Nabokov. And when Muellner's photographs turned out stranger than he expected, he found himself trying to crack open Nabokov's perfectly constructed literary images. 

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Pauline Oliveros's Deep Listening

Saturday, August 31, 2002

Producer David Krasnow profiles the experimental composer Pauline Oliveros, who built her career on what she calls “deep listening.”

(Originally aired: April 25, 2002)

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The Icarus Paintings

Saturday, July 13, 2002

The myth of Icarus symbolizes fleeting glory, and the foolishness of flying too high, literally and figuratively. Spencer Finch is a painter who tried to depict that myth, and capture Icarus' hubris and doom. 

Comment

Toy Piano

Saturday, July 06, 2002

Margaret Leng Tan, a virtuoso of the grand piano, takes Schroeder's place at the plastic one.

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