Annalisa Quinn

Katie Kitamura's new novel follows an unnamed narrator who tails her estranged, disappeared husband to Greece — while keeping the ominous surroundings and disquieting emotions at a cool remove.

Reporter Claudia Rowe documents her fascination with serial killer Kendall Francois in The Spider and the Fly — but the book focuses on Rowe's thoughts and needs at the expense of the victims.

In Han Kang's sharp, almost painfully sensitive new novel, set during and after South Korea's 1980 Gwangju student uprising, people spill blood — but they also brave death to donate it.

Aravind Adiga's new novel centers on Manju, a boy from Mumbai, and his tyrannical father, who wants just one thing: To raise the world's best cricketers. But what does Manju want for himself?

Matt Fraction and Christian Ward's splendidly trippy, genderbent retelling of the Odyssey sets the story in space, as warlike Odyssia, "witchjack and wanderer" winds her way home to far Ithicaa.

Marianne Kirby's new novel is set in an America overrun by zombies — and also an America in which no one is judged on their appearance; her protagonist is fat and queer, and never hindered by that.

The narrator of Zadie Smith's new novel is never named — fitting, for a book about the illusions of identity and the ways people try and fail to know and define themselves.

Anne Carson's unconventional collection of 22 chapbooks can be read in any order, and covers everything from Helen of Troy to H.G. Wells — but mostly, it's about women taking back their own stories.

Renowned chef Jeremiah Tower focuses on the consumption rather than the preparation of food in Table Manners. The book leans fussy and prim, turning a blind eye to hosts and hostesses short on cash.

Brit Bennett's new novel focuses on two best friends, both motherless, growing up in a black community in Southern California — and their shifting, lifelong negotiation with the idea of motherhood.

Fran Wilde built a glorious world of living bone towers and wing-gliding people in last year's Updraft. Her new Cloudbound has stunning skyscapes but lacks some of the first book's emotional heft.

Eimear McBride's latest follows a young drama student who goes to London and falls for an older man. Her live, wriggling language makes a beautiful account of the ways the self is built and rebuilt.

Ordinary family life provides all the tension and attraction in Ann Patchett's new book. The story of two families and a fateful party that upends both, it draws on Patchett's own life experiences.

Ian McEwan's fetal Hamlet is an extravagant spirit confined to the womb while his mother and uncle plot. But he is no sweet prince; the book stumbles over the unborn Dane's grumpy cultural commentary.

Amor Towles' new novel stars a Russian aristocrat, sentenced by the Soviets to permanent house arrest in a luxury hotel. It's a frothy romp that tends to overlook the reality of life under Stalin.

Luke Dittrich's new book is part pop science book, part medical ethics essay and part family history: His grandfather was the surgeon who originally cut into the brain of the celebrated Patient H.M.

Nadja Spiegelman is insightful about the power and malleability of memory in her new memoir, but the book is weighed down by an aggressively artificial poignancy, all ashtrays and meaningful silences.

Megan Abbott's novel about a talented young gymnast and her mother starts with a mysterious death, but the real mysteries are the characters themselves: You never really know the people close to you.

Gay Talese conflates the journalist and the voyeur in his new book about a motel owner who spied on his guests. And he makes the readers voyeurs as well: We watch him watching the unwary motel guests.

Catherine Banner's new novel takes familiar tropes — it's a multigenerational family saga set in Sicily, and yes, there's limoncello and dancing in the piazza — and makes them fresh and inviting.