Annalisa Quinn appears in the following:
Tuesday, March 02, 2021
Kazuo Ishiguro's lovely, mournful new novel is set in a world where children can have android companions, known as Artificial Friends — but can those artificial friends ever replace the children?
Friday, January 15, 2021
Sarah Moss's new novel takes place over a single, unrelentingly rainy day at a vacation site in Scotland, where families complain about each other and mounting dread builds to catastrophe at the end.
Monday, September 28, 2020
Former Washington Post leader Len Downie is well-placed to offer a look at 50 years in news — but he also writes of times he had to weigh the public's right to know against national security.
Friday, September 11, 2020
Ward says she didn't know as a journalist she would "have my heart broken in a hundred different ways, that I would lose friends and watch children die and grow to feel like an alien in my own skin."
Wednesday, September 02, 2020
Elena Ferrante's latest is as slinky and scowling as a Neapolitan cat, and as promised, it's all about the part of life adults lie about: sex — and the chaos, infidelity and fear that accompany it.
Wednesday, August 26, 2020
Johnson's chilly, uneasy novel follows two sisters in the wake of an unnamed "something" that happened. Critic Annalisa Quinn says it's slighter than Johnson's previous work, but genuinely surprising.
Tuesday, August 11, 2020
Hill's election to Congress in 2018 seemed like a sign of progress. A year later, she resigned after admitting to an affair with a young staffer, documented by her husband, and leaked to the press.
Tuesday, July 07, 2020
Kim Wall was 30 when she was killed by a source. Her parents are working to make sure her name will not be a warning but a tag under ambitious investigative pieces, a line on resumes, a calling card.
Sunday, June 14, 2020
The flattening effect of political discourse, insipidity of the first lady role and her own remoteness have led us to either forget she has an inner life — or to imagine her as an elegant prisoner.
Tuesday, May 19, 2020
While Suzanne Collins leaves readers uncertain of the answer to the question she poses in The Hunger Games — how much of character is innate, how much formed — it becomes painfully obvious here.
Monday, May 18, 2020
In Curtis Sittenfeld's new novel, Hillary Rodham dumps Bill Clinton and goes on to forge a life of her own, in law and then politics. It's an uncomfortable, moving, technically brilliant book.
Wednesday, May 13, 2020
At her best, Olivia Laing turns criticism into an elevated form of hospitality: Like a good party host, she introduces you to someone, tells you what she likes about them, then leaves you to it.
Tuesday, April 14, 2020
In charming, anxious, tender essays, writer Mark O'Connell examines his own apocalyptic frame of mind by taking "a series of perverse pilgrimages" to subcultures preparing for the end of the world.
Friday, April 10, 2020
C Pam Zhang's debut novel follows a brother and sister, children of Chinese laborers, as the search the dusty hills of Gold Rush-era California for a place to bury their father's body.
Wednesday, April 08, 2020
Casey Schwartz writes of her reliance on Adderall and her realization that the focus it brought was not genuine. But she leaves readers wanting to hear more on the relationship of attention and love.
Tuesday, March 31, 2020
The ABC White House correspondent avoids bravado and knows better than to let insiders use his book to sound off about their enemies. But the obviousness of his account reveals an alarming truth.
Thursday, March 12, 2020
"[P]erhaps the best thing creative work can do is to compost into the soil so that, unremembered, it becomes the food of a new era, or rather, devoured, digested, the very consciousness of that era."
Wednesday, March 04, 2020
In Quan Barry's charming novel, a team's luck changes when its members pledge themselves to the forces of eternal darkness by signing a spiral notebook with Emilio Estevez's face on it.
Wednesday, February 05, 2020
Gish Jen's new novel takes place in a dystopian future country called AutoAmerica, where the swamp-dwelling underclass — called "Surplus" — are set against the fair-skinned, land-dwelling "Netted."
Monday, January 13, 2020
In his new book, The New Yorker's Joshua Yaffa is as much an ethicist as he is a reporter, presenting a portrait of the Russian state through those who have decided to compromise with it.