Luxuriate in vast stretches of immersive, cutting-edge and evocative 21st century repertoire on Overnights on Q2 Music. Not only is this your chance to enjoy longer pieces than those you'd hear during the rest of the day, but Overnights also spices its programming with flavors of cerebral indie-electronic and poignant, complex ambient music.
Get your sonic stimulant with Mornings on Q2 Music with a contrapuntal, caffeinated mix designed to fire up the neurons and scatter those last vestiges of the subconscious. Mornings focus on buoyant, vibrant music from today's leading and emerging voices, but you'll also enjoy hints of the fertile 20th century wellspring from which many composers continue to draw inspiration.
This week on Hammered! we explore the mountains of chamber music that includes piano(s), or, otherwise put, music for piano+. Hear music from Thomas Ades, Ezequiel Vinao, Benjamin Broening and many more.
Phil Kline is a composer who makes music in many genres and contexts, from experimental electronics and sound installations to songs, choral, theater, chamber and orchestral music.
For Mixtapes, we ask artists to assemble an hour of new music that they find particularly compelling. Today's comes courtesy of composer, guitarist and trumpet player Rhys Chatham.
Here’s your chance to hear directly from your favorite composers as they offer insights into the inspiration and process behind their music. This hybrid, virtual hosting by some of today’s most fascinating and celebrated composers draws back the curtain on the creative process and provides an exclusive perspective on the music you’re about to hear.
Considered by critics to be one of the most important and exciting performers on the contemporary scene today, the violinist Mary Rowell cannot be classified. Known for her work with the Grammy Award-winning Tango Project, the indie band The Silos and pop icon Joe Jackson, she has carved an indelible place in the contemporary classical music world with the post-classical quartet ETHEL of which she is co-founder.
Unexpected but fresh adjacencies within new music define Afternoons on Q2 Music. Enjoy disparate styles and cultures of 21st century classical repertoire woven together into a seamless tapestry through similarities of texture, energy and atmosphere.
This past March, The University of Missouri-Kansas City Conservatory brought the music of its award-winning faculty to (Le) Poisson Rouge for Crossroads - a concert uniting Eastern and Western traditions with UMKC Conservatory composers, laureates and students.
A lush and meditative mix of 21st century classical repertoire spiked with juxtapositions of world music, Evenings on Q2 Music explores the rich counterpoint and surprising affinities that exist amongst musics from culture far and wide. From hypnotic minimalist compositions to energetic neo-classical works to music that proclaims cultural roots and ancient timbres, Evenings highlight the universal language of music.
A lush and meditative mix of 21st century classical repertoire spiked with juxtapositions of world music, Evenings on Q2 Music explores the rich counterpoint and surprising affinities that exist amongst musics from culture far and wide. From hypnotic minimalist compositions to energetic neo-classical works to music that proclaims cultural roots and ancient timbres, Evenings highlight the universal language of music.
