Piotr Orlov was born a music enthusiast in St. Petersburg, Russia – back when it was called Leningrad – and remembers hearing Louis Armstrong records in his crib.
He’s been a New Yorker since the plane carrying his family touched down at JFK in March of ‘77. Henceforth, Piotr’s life has been about adapting to, and pursuing the new. Cause that’s how immigrants do.
Piotr’s DJ debut was at his own 7th grade dance, and paints a direct line to the monthly “Treehouse” parties he throws in Brooklyn. Over the past 18 years, his writing on music and culture has appeared in the New York Times, Wired, Arthur, numerous alt-weeklies, and countless websites. (His own is Newly Lost Edge.) In the ‘00s, he’s helped curate the music for a museum show about Fela Kuti (“The Black President” at the New Museum), started a digital music business for MTV, and began consulting on digital strategy for bands, brands and one creative agency.
PS: Feel free to call him “Peter.”
Piotr Orlov appears in the following:
Thursday, May 26, 2016
Wednesday, May 11, 2016
Friday, April 15, 2016
Thursday, April 14, 2016
Thursday, April 14, 2016
Friday, April 01, 2016
Monday, March 28, 2016
Friday, March 25, 2016
Monday, March 21, 2016
Saturday, March 19, 2016
Tuesday, March 15, 2016
Friday, March 11, 2016
Monday, March 07, 2016
I don't know if you'd agree, but we at Rx Dose have been noticing that the world seems like an increasingly bizarre place, full of instability and chaos but bearing also an endless supply of leftfield wonders. Has this always been the case, and we simply have more access to ...
Monday, February 29, 2016
Sunday, February 21, 2016
The way recording engineer Michael Reilly tells it in the liner notes of Panola County Spirit, Raymond Walker, the eightysomething patriarch of the Walker Family of Como, Mississippi, was always a singer of some renown. In fact, he was once the leader of a locally legendary (though never recorded) gospel ...
Friday, February 19, 2016
One of the great things about the U.K.'s "electronic music" scene circa 2016 is how incredibly broadly defined it has become. It's turned into a place where the future and the past are incessantly co-mingling in dub's bass-bin. Folk narratives are being underpinned by abstract electronics, continental drifts of poly-rhythm ...
Wednesday, February 17, 2016
Our first Rx Dose mix of 2016 is fashionably late, and all the better for it. Corralling our favorite dance tracks from January (and beyond) took a little longer than expected for a host of boring reasons, but hopefully, once you hear this month's roster, you'll agree it was worth ...
Wednesday, February 10, 2016
Global dance music has made deep inroads into European clubbing in recent years; focus even slightly, and it's everywhere you listen. London has long been a post-colonial melting pot of sound, where ...
Wednesday, January 27, 2016
When contemplating the long career of the Junior Boys, it's hard not to think about another synthesizer-driven techno-pop duo that made its debut at essentially the same time: The Postal Service. You can't put too fine a point on how far outside the pop, indie and dance markets the ...
Tuesday, January 26, 2016
On Sunday, Jan. 17, globalFEST, one of America's premiere showcases of musical talent from around the world, once again took over the three stages at Manhattan's Webster Hall. The one-evening festival has few American rivals in the way it simultaneously expands and condenses musical perspectives. The performances here move naturally ...