WNYC's veteran political reporter previews her new podcast about the big questions and hard choices most of us prefer not to talk about. Hear her first two interviews, and give us your ideas for future topics.
This week Alec sits down with writer and director James Toback who makes movies on his own terms. His films include The Gambler, The Pick-up Artist, Love & Money, Black and White.
This week Alec sits down with film director Chris Columbus – who has brought to the screen some of the biggest American family films in the last 20 years: Adventures in Babysitting, Home Alone, and Mrs. Doubtfire.
This week, Alec sits down with Danny Bennett, to talk about the thirty years he’s spent managing the career of his dad, Tony Bennett. As Danny says, “I don’t just handle a career, I manage a legacy.”
"That's what PETA is all about," says the organization's VP. "We are here to show you things you really don't want to see."
This week Alec sits down with pitcher Dwight Gooden whose blistering fastball and notoriously deceptive curve ball earned him the Rookie of the Year Award in 1984. He was 19 years old. Gooden’s outstanding first three years in Major League Baseball were replaced by very public battles with alcohol and cocaine which he struggled with for much of his professional career.
This week Alec sits down with Oscar-nominated documentary filmmaker Josh Fox to talk about his new film Gasland Part II, which premieres this week on HBO. Both Gasland Part II, and its predecessor, Gasland, explore the impact of hydraulic fracking on everyday Americans.
Lily is a smart single woman, a beauty in demand on the party circuit. But Lily is nearing thirty, and struggling to manage money, friendships, and romance. In The House of Mirth, Edith Wharton examined the dangerous compromises facing a woman who wants ...
"To think that in my lifetime, in my career, that you can be an out performer/actor playing against type – Neil Patrick Harris playing a womanizer on that show, being out and married with twin boys – and it doesn't hurt your career. It doesn't do anything. So in a way it's the most beautifully astounding, inspirational thing that I can think about in my 51 years of living."
"I can't help it," says the Wire and Treme showrunner, "I'm from a different planet, which is journalism."
"We would play backgammon between scenes on the set. A dollar a point," the actor on his relationship with director John Huston.
"I was the funny kind of offbeat girl. I was never the romantic lead," the actor says.
"It was a fascinating career. I am absolutely glad I’m done," says the former New York City Commissioner of Correction and Probation.
“I slept in my dressing room.” The legendary actor on her first big film, Singin' in the Rain.
"I stand on my head for a bit." Radiohead and Atoms for Peace frontman, on his pre-show rituals.
Studio 360 explores F. Scott Fitzgerald’s The Great Gatsby and finds out how this compact novel became the great American story of our age. Novelist Jonathan Franzen tells Kurt Andersen why he still reads it every year or two, and writer Patricia Hampl explains why its lightness is deceptive ...
"You try sitting in a lecture after you've been drafted by a team." - NFL QB on his start.
"No one needs another blowhard yelling at them. No one gives a rat’s patootie about my opinion." The 30 Rock anchor talks to Alec Baldwin in the latest episode of Here's the Thing.
“I love what I do,” LuPone tells Alec, “I love the audience, and I love the fact that I get to do it. ... I love our craft very, very, much, and it’s a noble craft.”
Alec talks with the Executive Editor of The New York Times, Jill Abramson on this episode of Here's The Thing. Abramson grew up in a family that was steeped in The New York Times: two copies were delivered to her house. Her mother wanted her own for the crossword.