Andrew Lapin

This historical drama, based on the story of a Warsaw couple who helped hundreds of Jews flee Nazi-occupied Poland, is more interested in their heroism than their humanity.

The film about a young woman who ran her truck onto a Prague sidewalk in 1973, killing eight pedestrians, is tough to sit through, and recent events lend it a chilling sense of relevance.

The live-action, CGI-besotted remake of Disney's 1991 animated musical never manages to justify its existence, says critic Andrew Lapin, because it sets out "not to conjure wonder, but nostalgia."

A bitter retiree hopes a few good deeds will salvage her reputation in this insipid dramedy. MacLaine is Hollywood royalty, but this film is strictly peasant fare.

Up for best animated feature, this French-Swiss stop-motion tale of a young boy's life in a group home offers a small, meticulously detailed story that leavens melancholy with humor.

Director Gore Verbinski leans on tried-and-true horror visuals to provide this film, set in a sinister Alpine spa, with its scares. But at 2 1/2 hours, patient fatigue sets in early.

The sequel to the 2015 softcore BDSM film Fifty Shades of Grey gets a tiny bit smuttier than its predecessor, but its story and characters remain just as limp as ever.

Raoul Peck's Oscar-nominated documentary transforms an unfinished Baldwin manuscript about Martin Luther King Jr., Malcolm X and Medgar Evers into an urgently resonant film.

Director Justin Kelly documents the life of the inscrutable Michael Glatze (James Franco), who rejected his gay identity in favor of a strict Christian faith, without judging the man, or his choices.

As the businessman who built a network of McDonald's franchises while nastily — and gleefully — disenfranchising his business partners, Keaton exudes a sleazy brio.

Screenwriter Patrick Ness adapts his YA novel about a monster who helps a boy deal with his mother's illness. The result is a film that confronts grief in a gratifyingly unsentimental way.

Shadow of a Doubtfire: In this "silly yet profoundly moving" German-Austrian comedy, a father uses disguises, a false identity and a whoopie cushion to get his corporate-minded daughter to loosen up.

Our critic adores this small, sharply observed film starring Annette Bening, Elle Fanning and Greta Gerwig as boarding-house residents who shape the life of a young man (Lucas Jade Zumann) in 1979.

Director/star Denzel Washington faithfully adapts August Wilson's searing, Pulitzer-winning play. The brilliant result is "moviemaking as public service," says critic Andrew Lapin.

Writer-director Clay Liford's low-key, lo-fi coming-of-age-in-the-digital-age comedy follows the romantic fumblings of awkward teen Neil (Michael Johnston), both online and off.

This elegant but unsettling horror film implicates the audience by placing us inside the head of the monster at its center, forcing us to see things in ourselves we don't wish to.

Critic Andrew Lapin says Disney's new animated film Moana builds a lush visual world for its young Polynesian heroine and makes its most honest effort yet at appreciating the culture where it's set.

Casey Affleck delivers a haunted, searing performance as a guilt-ridden man unexpectedly forced to look after his teenage nephew.

Amy Adams plays a linguist recruited to translate the language of mysterious alien visitors in a twisty, sophisticated sci-fi thriller from director Denis Villeneuve (Prisoners, Sicario).

In Jim Jarmusch's jagged documentary, Iggy Pop reflects on the necessary recklessness that made The Stooges punk legends.