Andrew Lapin

This uber-violent film about a remorseless serial killer (Matt Dillon) requires an iron stomach, but it's a "thoughtful, honest onscreen meditation on morality and personal culpability."

Sure, this lush, blistering riff on pop stardom — and the many ways it intersects with a culture obsessed with both violence and celebrity — is over-the-top. That's the point.

Julian Schnabel's "bold, blissful and deeply sad" film about Vincent Van Gogh's final days is as textured as the artist's canvases; Willem Dafoe delivers "one of the finest performances of the year."

Director David Mackenzie (Hell or High Water) keeps the scale too small and the stakes too low in this retelling of the rebellion of Scotland's Robert the Bruce (Chris Pine).

Welles' abandoned Hollywood satire The Other Side of the Wind hits Netflix and select theaters alongside the new making-of documentary They'll Love Me When I'm Dead; the two films inform each other.

Paul Dano movingly adapts Richard Ford's 1990 novel about a couple (Jake Gyllenhaal and Carey Mulligan) whose marriage crumbles as their son (Ed Oxenbould) watches.

Ike Barinholtz writes, directs and produces this timely comedy about a family whose deep political divide widens even further over Thanksgiving dinner. Sloppy at times, but its satiric aim is true.

This by-the-numbers documentary misses a step by focusing on the late Gilda Radner's celebrity over her comedy, but it's effective when it lets her recently discovered journals do the talking.

First-time filmmaker RaMell Ross' camera captures fleeting moments in the lives of two black young men in rural Alabama, and refuses to supply us with context. We grow to care about them anyway.

This documentary "makes for riveting viewing" as it follows four teams of brilliant young people with ideas for combating environmental threats as they compete in an international science fair.

Mélanie Thierry's quietly devastating performance anchors this adaptation of Marguerite Duras' wartime memoir chronicling her life in a perpetual state of uncertainty over her husband's fate.

A teenaged girl's acting class intersects with her home life in bracing, and not entirely healthy ways, in Josephine Decker's intimate, audacious and wildly experimental film.

A grown-up Christopher Robin (Ewan McGregor) returns to his childhood chums in the Hundred Acre Wood in Marc Forster's rote but charmingly animated children's film.

The documentary about Scotty Bowers, who procured same-sex lovers for many of Hollywood's biggest stars, skimps on emotional depth to let its subject dish gossip in his charming, gregarious way.

When the parents of Nisha (Maria Mazhdah) discover a boyfriend in her bedroom, they send her from her home in Norway to live with relatives in Pakistan, in Iram Haq's harrowing second feature.

An impassive German baker travels to Jerusalem to work in the restaurant owned by his dead lover's wife. It's complicated.

Filmmaker Eugene Jarecki masterfully explores Presley's life as a metaphor for America as he drives the late singer's 1963 Rolls-Royce across the country, interviewing those he meets along the way.

Toni Collette's breathtaking turn as a grieving mother is this tale of familial terror is "one for the ages, belonging in the same breath as Linda Blair in The Exorcist and Sissy Spacek in Carrie."

A film about rich parents using their child's gender expression to get him into preschool doesn't spend enough time getting to know Jake or enough time looking closely at his parents.

Kate Novack's documentary about the legendary fashion figure breezes past any deep or thought-provoking issues, but it, like its subject, has style for days.