Perfect Pitch

The New Yorker: Out Loud | Jun 25, 2014
This week, Sasha Frere-Jones writes about Auto-Tune, a pitch-correction software program used in pop music. Here Frere-Jones talks about how Auto-Tune has become a pop-music phenomenon, and demonstrates how it can transform the human voice with the help of the music producer Tom Beaujour.This week, Sasha Frere-Jones writes about Auto-Tune, a pitch-correction software program used in pop music. Here Frere-Jones talks about how Auto-Tune has become a pop-music phenomenon, and demonstrates how it can transform the human voice with the help of the music producer Tom Beaujour.

WNYC is funded by sponsors and member donations

Top Stories

One Refugee’s Journey Through ICE Detention

In 2025, ICE began detaining people at immigration hearings, an unprecedented step. The staff writer Jonathan Blitzer shares the story of one detainee whose life was turned upside down.
The New Yorker Radio Hour |

Black and Latino Leaders React to DSA Wins

Jeffery Mays talks about how Black and Latino political leaders feel as members of DSA have gained power in NYC.
The Brian Lehrer Show |

Jewish elected leaders criticize Mamdani’s rhetoric after Upper West Side stabbings

Authorities charged the suspect, Raul Morales, with hate crimes on Friday.
Gothamist |

Cat Cohen's New Comedy Musical 'Broad Strokes'

All Of It with Alison Stewart |
YOU ARE ONLINE