Directed by archivist Andy Lanset, the department provides a central repository for thousands of audio recordings, photographs, memorabilia, reports, news items, program guides, institutional records, and promotional materials.
Among its holdings are more than 50,000 recordings in a variety of formats, from early lacquer and acetate discs, to reel-to-reel tapes, to digital audio tapes and compact discs.
Recently in Archives and Preservation
Sunday, August 18, 2013
If it's good enough for Elvis, it's good enough for you and your child - On the birthday of the city's first female Health Commissioner, we honor Dr. Leona Baumgartner and the New York City publicity campaign for the polio vaccine.
Tuesday, July 30, 2013
As New York City's Broadcasting Supervisor, Raymond Asserson was charged with designing and building the first WNYC facility by then Commissioner for Plant and Structures, Grover A. Whalen. Generally behind the scenes in bringing WNYC to life, Asserson made his mark publicly before the House Merchant Marine Committee on March 12, 1924. Testifying on behalf of Whalen, the former Navy engineer charged that through its patents, AT&T had stymied New York City's efforts to set up a radio station and had effectively created a radio monopoly.
Friday, May 10, 2013
Thursday, April 25, 2013
WNYC's Chief Concert Engineer Edward Haber recorded Richie Havens for WNYC and had this recollection.
Wednesday, April 24, 2013
The 1964 World's Fair opened 50 years ago this week. In this archive joint, master builder Robert Moses, former Governor Charles Poletti and a cornucopia of others preview attractions expected at the fair. Among the featured attractions: The Pietà and a pavilion dedicated to the United Arab Republic. "We feel it's very, very important for the American people to learn more about Arab countries," Moses says.
Tuesday, April 09, 2013
During World War II, rationing became not only accepted, but a symbol of patriotism for most Americans. Listen to Oscar Brand in this never-broadcast documentary on how the government —and WNYC— helped foster that sentiment.
Sunday, April 07, 2013
It is April 19th, 1944. Thousands of mourners silently march from a service at the Warsaw synagogue on Rivington Street to City Hall. A few carry signs: "Save Those Jews in Poland Who Can Yet Be Saved!" and, "Three Million Polish Jews Have Been Murdered By the Nazis!" When they arrive at the steps of City Hall, Cantor Moishe Oysher sings El Mole Rachamim, a funeral prayer for the the 40,000 Jews who died a year earlier in the Warsaw Ghetto uprising.
Tuesday, March 26, 2013
Monday, March 18, 2013
In March, 1972, reporter Eleanor Fischer interviewed Congresswoman Bella Abzug as she was fighting to hold on to her congressional district in Manhattan encompassing, in part, the Battery, the Lower East Side, Little Italy, Chinatown, Greenwich Village and Chelsea. Representative Abzug talks about this effort to marginalize her. She also calls for pulling U.S. troops out of Vietnam, endorses Congresswoman Shirley Chisholm's campaign for the Presidency and (there may be some debate over it) lays claim to starting the honorific "Ms."
Monday, February 25, 2013
Friday, February 22, 2013
The writer, critic, editor, filmmaker, television pioneer, and broadcaster Gilbert Seldes comments on censorship, a favorite topic, in this 1953 broadcast of The Lively Arts.
Wednesday, February 20, 2013
This dramatic live broadcast from 1939 is a seminal moment in American jurisprudence and political history: the pardon of Tom Mooney, a tireless labor activist wrongly condemned to death in 1917 for a fatal bombing, after he served 22 years in prison.
Monday, February 18, 2013
Amiri Baraka died January 9th after weeks of failing health. He was 79. A playwright, poet, critic and activist, Baraka was one of the most prominent and controversial African American voices in the world of American letters. Speaking at the Overseas Press Club ( and airing on WNYC) in 1965 following the release of his Obie award-winning play The Dutchman, Baraka presented himself as a no-nonsense artist who was not about to compromise his message for anyone. The talk catches Baraka (still known as Leroi Jones) at the height of his radical voice in the 1960s and is critical because it was delivered just four days before the assassination of Malcolm X.
The writer and activist LeRoi Jones (who would later be known as Amiri Baraka) speaks here on February 17, 1965, four days before the assassination of Malcolm X, an event that catapulted him from a charismatic Greenwich Village maverick into a radicalized black nationalist in Harlem.