Sara Fishko is an Executive Producer and Host at WNYC, specializing in culture.
Her long-running series Fishko Files has become a staple of WNYC’s cultural programming, tackling a broad range of subjects, from a portrait of media guru Marshall McLuhan, to a meditation on the Symbolist painting “Isle of the Dead,” to a consideration of the future of film criticism. The pieces run on Morning Edition and All Things Considered, as well as Studio 360 and On The Media.
Fishko produced and hosted the ten-part Jazz Loft Project Radio Series, derived from a treasure trove of archival tapes recorded by photographer W. Eugene Smith in his dilapidated Manhattan home in a loft building in the 1950s and 60s. The series, which ran on WNYC and NPR, later became four special programs known as The Jazz Loft Anthology.
She has also made compelling hour-long programs featuring interviews with and performances by Keith Jarrett, Dave Brubeck, Ned Rorem and others. Her special program Culture Shock 1913 is a spirited telling of the history and development of Modernist art and culture in the early years of the 20th century.
Sara Fishko has won multiple awards from RTNDA (Edward R. Murrow Award), The Deadline Club, The Newswomen’s Club of New York (Front Page Award), The Associated Press and The New York Press Club. She received a Deems Taylor Award from ASCAP for the Jazz Loft series, and was selected as a USC/Annenberg Arts Journalism Fellow in 2003 and 2011.
Her blog Fishko Now and Then is about culture now and culture then, and it appears…now and then.
Shows and Blogs:
Sara Fishko appears in the following:
Thursday, September 21, 2017
From the archives: How does a song go from an unknown tune to a mega-hit?
Thursday, September 14, 2017
From the archives: Gould's performances of Bach's music brought him - and Bach - to broad popular attention.
Thursday, September 07, 2017
From the archives: Some music is defined by the sound it leaves out.
Thursday, August 31, 2017
From the archives: Woody Guthrie's progressive influence continues today, thanks in no small part to the fastidious collecting of his family.
Thursday, August 24, 2017
From the archives: This week's solar eclipse inspires a moonlight marathon.
Thursday, August 17, 2017
Arturo Toscanini had a meticulous and fervent style of conducting that pushed his players to match his rhythmic sharpness.
Thursday, August 10, 2017
Frédéric Chopin borrowed from the music he loved and turned it into something completely original.
Thursday, August 03, 2017
From the archives: Fifty years ago this summer, "Bonnie and Clyde" made history. It divided critics, thrilled audiences, and opened creative doors.
Thursday, July 27, 2017
Broadway musicals have often been a perfect mixture of song, dance – and seriously controversial politics.
Thursday, July 20, 2017
From the archives: In the fall of 1950, audiences were introduced to a TV star whose program stayed on top for nearly a decade.
Thursday, July 13, 2017
From the archives: Andres Segovia carved out a place for the guitar in the concert hall.
Thursday, July 06, 2017
From the archives: For a dance so heavily steeped in tradition, tap lets dancers make it their own.
Friday, June 30, 2017
Composer Aaron Copland and the search for an American national identity.
Thursday, June 29, 2017
From the archives: When Frank Sinatra covered a song, it was propelled into the mainstream - but not necessarily with its original message intact.
Thursday, June 22, 2017
From the archives: In the 1960s, the original Penn Station was demolished - and with it, a piece of New York history.
Thursday, June 15, 2017
From the archives: A legendary panel of NEA Jazz Masters reflects on how jazz has - and hasn't - changed.
Thursday, June 08, 2017
From the archives: One of the most prolific directors of the 1950s was also an actor, a writer, a producer - and a woman.
Thursday, June 01, 2017
From the archives: The First Lady of Song, Ella Fitzgerald, turns 100 this spring.
Thursday, May 25, 2017
From the archives: In the 1950s, Joe Papp insisted that theatre was an essential experience for all - and fought tooth and nail to make it a reality.
Tuesday, May 23, 2017
The "common man" era in the 1930s and '40s needed a truly American music. Aaron Copland created it in one America and 20 years later found himself in quite another United States.