WNYC (Radio station : New York, N.Y.)

WNYC (Radio station : New York, N.Y.) appears in the following:

Reel 7: Kenward Elmslie

Saturday, January 01, 1966

Michael Silverton interviews Kenward Elmslie for Poetry of the Avant-Garde on WNYC.

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Reel 10: Sotere Torregian

Saturday, January 01, 1966

Michael Silverton interviews Sotere Torregian for Poetry of the Avant-Garde on WNYC.

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Reel 9: Joseph Ceravolo

Saturday, January 01, 1966

Michael Silverton interviews Joseph Ceravolo for Poetry of the Avant-Garde on WNYC.

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Reel 11: Lorenzo Thomas

Saturday, January 01, 1966

Michael Silverton interviews Lorenzo Thomas for Poetry of the Avant-Garde on WNYC.

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Reel 16: Dick Gallup

Saturday, January 01, 1966

Michael Silverton interviews Dick Gallup for Poetry of the Avant-Garde on WNYC.

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Reel 5: Michael Benedikt

Saturday, January 01, 1966

Michael Benedikt reads a sample of his works for Poetry of the Avant-Garde on WNYC.

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Reel 17: Kathy Fraser

Saturday, January 01, 1966

Michael Silverton interviews Kathy Fraser for Poetry of the Avant-Garde on WNYC.

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Reel 4: Jerome Rothenberg

Saturday, January 01, 1966

Michael Silverton interviews Jerome Rothenberg for Poetry of the Avant-Garde on WNYC.

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Historic Recordings I

Sunday, December 26, 1965

A portion of Souvenir for Violin & Piano (1904) by František Alois (Franz) Drdla played by the composer. The recording is from an original issued on the Japanese Polydore label.

Pablo de Sarasate playing his work Zigeunerweisenr from the private collection of Harold W. McCracken.
...

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Baroque Beatles Book - Part 3 of 3

Sunday, December 05, 1965

The third episode of a three part series on the musical relationships between The Beatles and the Baroque era.

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Works of Vocal Origin

Sunday, November 28, 1965

David devotes this program to instrumental works that have a vocal origin. We hear the following:

Excerpt from Fantasia on a Theme of Thomas Tallis by Ralph Von Williams. This is followed by a church recording of the melody in its original setting for voices as Tallis ...

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Baroque Beatles Book - Part 2 of 3

Sunday, November 28, 1965

In part 2 of 3, Ed Canby explores the similarities between the song structures of The Beatles and the music of the Baroque era.

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Bartók

Sunday, November 21, 1965

David devotes this entire program to a discussion of Bela Bartók. He plays the following works:

1) Portraits for Orchestra - "Idealistic" and "A Distorted Portrait" Issued by Bartók Records and performed by the New Symphony Orchestra of London with Jean Pougnet on violin under the direction ...

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Baroque Beatles Book - Part 1 of 3

Sunday, November 21, 1965

In this first of three parts, Canby provides commentary on The Beatles and their fascination with music of the Baroque era.

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Dave Sear Sings the Songs of New Songwriters

Thursday, July 29, 1965

"Songs of New Songwriters." Dave sings the songs of Bob Dylan, Phil Ochs, Buffy Sainte-Marie, and Tom Paxton.

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Three Also Rans: Busoni, Spohr, Pfitzner

Sunday, March 28, 1965

David Randolph considers three composers (Busoni, Spohr and Pfitzner) whose names never quite reach the top rung in the annals of music history altbough they were famous in their own time. He airs the following works of theirs:

Violin and Orchestra Concerto by Ferruccio Busoni performed by ...

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French Sacred Music

Sunday, February 07, 1965

In this program David Randolph considers French Sacred Music. He plays the following works:

A portion of Te Deum by Jean-Baptiste Lully. It was performed by the Ensemble vocale de Paris.

Lecons de Tenebre by Francois Couperin.

Portions of the Sared ...

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Handel and Harty - Music for Fireworks

Sunday, January 10, 1965

A comparison between Sir Hamilton Harty's "Suite from Music for the Royal Fireworks" (1924) and George Frideric Handel's "Music for the Royal Fireworks" (1749).

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Woody Guthrie: The Library of Congress Recordings

Thursday, January 07, 1965

A replay of excerpts from the 1964 release from Elektra Records, Woody Guthrie: The Library of Congress Recordings.

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So You Want to Be a Music Critic

Sunday, August 16, 1964

David Randolph returns again to the subject of what a critic looks for in a musical performance. Previously he considered tempo. Today he wants to go further with tempo - that is, beyond the speed with which a performer plays a piece of music. What about the changes of tempo ...

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