Natalia Ramirez

Natalia Ramirez appears in the following:

The Founding

Wednesday, April 05, 2023

On December 7, 1842, a group of musicians gathered in the Apollo Rooms in Lower Manhattan and performed – for the first time – as the Philharmonic Society of New York. The first piece...

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Otello: Black Handkerchiefs Matter

Thursday, March 30, 2023

Giuseppe Verdi's Otello rose from enslavement to the ranks of army general and marries an aristocratic Venetian woman. It’s difficult  to imagine the rich cultural heritage of Otello’...

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Otello: Haters

Thursday, March 23, 2023

This week on Every Voice with Terrance McKnight, we go deeper into Giuseppe Verdi's character of the “Moor of Venice." Otello is a celebrated general in the Venetian army, and as a Bl...

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Otello: UNMOORED

Thursday, March 16, 2023

“Otello” debuted in Milan in 1887, just two years after European nations gathered in Berlin to agree on a campaign to carve up and colonize the African continent for their own profit....

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The Magic Flute: Recycling

Thursday, March 09, 2023

The use of blackface is a dying trend, but it was fundamental to one of the most popular operas of all time, Mozart’s hit comedic opera, “The Magic Flute“. Over the last few decades a...

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The Magic Flute: He Said, She Said

Thursday, March 02, 2023

In Mozart's "The Magic Flute," Monostatos is smitten by the white princess Pamina, whom he is supposed to be guarding under the orders of the high priest Sarastro. His desire to love ...

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The Magic Flute: Invisible Man

Thursday, February 23, 2023

At over 200 years old, “The Magic Flute” remains a classic opera which continues to be taught, studied, and performed in sold-out venues around the world. But with more than two centu...

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The Magic Flute: From Morehouse to the opera house with Monostatos

Thursday, February 16, 2023

Monostatos the Moor in Mozart’s “The Magic Flute” is one of the most famous representations of Blackness in opera - a genre with limited representation of characters of African descen...

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Terrestrials: The Hybrid

Thursday, October 27, 2022

WNYC Studios
A fantastical mix of two beasts comes together, thrives, and does something scientists thought it could never do

Terrestrials: The Water Walker

Thursday, October 20, 2022

WNYC Studios
A muscly earthling figures out a way to stand on the waves.

Terrestrials: The Unimaginable

Thursday, October 13, 2022

WNYC Studios
An invisible entity journeys to Planet Earth and literally rocks our world.

Terrestrials: The Trio

Thursday, October 06, 2022

WNYC Studios
Look up in the sky! It is something that scientists thought could never happen.

Terrestrials: The Guardian

Thursday, September 29, 2022

WNYC Studios
A winged creature frightens countless villagers but may be a kind of protector.

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Terrestrials: The Mastermind

Thursday, September 22, 2022

WNYC Studios
A color-changing creature many people assumed to be brainless outsmarts his human captors.

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The End of This Experiment

Thursday, June 02, 2022

For The Experiment’s final episode, a meditation on our strange, sometimes beautiful, often frustrating country

Fighting to Remember Mississippi Burning

Thursday, May 19, 2022

At the height of Freedom Summer, the KKK killed three civil-rights workers in Philadelphia, Mississippi. Now, reporter Ko Bragg searches for memories in a town that would rather forget.

Teenage Life After Genocide

Thursday, May 12, 2022

The Experiment revisits the story of Aséna Tahir Izgil, a Uyghur teen adjusting to life in the U.S. after escaping China’s genocide of her people.

Judge Judy’s Law

Thursday, May 05, 2022

For decades, Americans have been bypassing the court system and settling their disputes on Judge Judy. But can people really find justice in a TV courtroom?

Should We Return National Parks to Native Americans?

Thursday, April 14, 2022

The Experiment revisits a conversation with the Ojibwe writer David Treuer, who believes we can make our national parks, sometimes called “America’s best idea,” even better. 

Who Belongs in the Cherokee Nation?

Thursday, April 07, 2022

From the time she was a child, Marilyn Vann knew she was Black and she was Cherokee. But when she applied for citizenship in the Cherokee Nation as an adult, she was denied.