What to Make of Nathan Fielder's New Doc 'You Can See Everything'; Anthony Roth Costanzo Celebrates the Countertenor Vocal Range

The new documentary from Nathan Fielder and Lance Oppenheim, "You Can See Everything," follows Elizabeth Holmes in the weeks leading up to her prison sentence. The three-hour film has quickly become one of the hottest theater tickets of the year, and one of the buzziest documentaries in recent memory. New York Times film critic Alissa Wilkinson breaks down what makes the film unique, discusses the nature of documentary filmmaking, and takes calls from listeners who wish to discuss the film. 

Anthony Roth Costanzo is one of the leading countertenors working in opera in the United States, and the General Director and President of Opera Philadelphia. In two new projects, both titled "Countertenor,” he explores the misunderstood classical male voice part One is an album of various genres sung in his unique vocal range. The is a book that combines memoir and history of countertenor voices. He discussed both.

Photo: A still from "You Can See Everything" courtesy of A24