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Ravi Shankar

New Sounds

West Looks East: Japan

Friday, July 04, 2014

For this New Sounds program some Western musicians look to Japan for inspiration both melodic and instrumental. Hear selections from a recent release by cellist/composer Jordi Savall called "Hispania & Japan - Dialogues," created following the catastrophes in Japan in 2011.  It's actually based on a previous project from 2006, "The Route of the Orient," revolving around the Spanish Jesuit missionary St. Francis Xavier (Francisco Javier).

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New Sounds

Teach Your Children Well

Saturday, April 19, 2014

For this New Sounds, listen to music by the sons and daughters of really fine musicians.  We’ll hear Shona music from the country of Zimbabwe by Baba Maraire (formerly Tendai.) His father, Dumisani (Dumi), an ethnomusicologist, was one of the first African musicians to build a grass roots movement of marimba, and came to be informally dubbed, “Godfather of Shona Music.”

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New Sounds

West Looks East: Japan

Monday, June 17, 2013

For this New Sounds program some Western musicians look to Japan for inspiration both melodic and instrumental. Hear selections from a recent release by cellist/composer Jordi Savall called "Hispania & Japan - Dialogues," created following the catastrophes in Japan in 2011.  It's actually based on a previous project from 2006, "The Route of the Orient," revolving around the Spanish Jesuit missionary St. Francis Xavier (Francisco Javier).

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New Sounds

Teach Your Children Well

Wednesday, April 03, 2013

For this New Sounds, listen to music by the sons and daughters of really fine musicians.  We’ll hear Shona music from the country of Zimbabwe by Baba Maraire (formerly Tendai.) His father, Dumisani (Dumi), an ethnomusicologist, was one of the first African musicians to build a grass roots movement of marimba, and came to be informally dubbed, “Godfather of Shona Music.”

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Spinning on Air

Extraordinary Orchestras: Ravi Shankar, and Iva Bittova

Sunday, January 20, 2013

Sometimes diverse musical influences intersect in the orchestra, with exciting results. David Garland presents selections from Ravi Shankar's "Music Festival from India" from 1976, and highlights from a brand new recording, "Zvon," which features Czech singer/violinist/composer Iva Bittova with the Prague Philharmonic. Each musician's unique vision takes on majestic dimensions when presented with orchestra.

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Soundcheck

Ravi Shankar: A Sitar Star Remembered

Wednesday, December 12, 2012

Ravi Shankar, legendary sitar master who played alongside The Beatles, John Coltrane and Yehudi Menuhin, died Tuesday at the age of 92. Soundcheck host John Schaefer reflects on the life and music of Shankar. 

Listen back to two archival interviews conducted by Schaefer on his program New Sounds -- one from 1984, the other from 1996.

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The first time I met Ravi Shankar, he told the story of the first time he met Baba Allaudin Khan, the man who would become his guru, and later, his father-in-law. Khan began, Shankar recalled, "by rebuking me. He said I was like a butterfly, doing too many things." Shankar was a 15-year old dancer in his brother Uday Shankar's troupe, which in the 1930s first brought Indian music and dance to the West. He also sang, played flute, and sitar -- all by ear. Khan told him that when he was ready to settle down and commit to one thing, he would accept Shankar as a student. It was, he said, a difficult decision, and it took a couple of years, but he eventually committed to the sitar.

Fortunately for us, Ravi Shankar never stopped doing "too many things." While he did become the most famous sitarist and perhaps the most globally-renowned non-Western artist of our time, he also composed film scores, collaborated with leading classical, rock, jazz and traditional Japanese musicians, and even wrote electronic music and played a bit of synthesizer.

"When I play the sitar," Shankar said during one of his many visits to our studio, "I am a purist, orthodox, very traditional. But as a composer I'm not frightened of experimenting with new sounds. It excites me to hear a whole range of instruments."

This was a hard-won wisdom. In the wake of becoming The Beatles "cult guru," to use his phrase, Shankar found himself in a range of unusual settings. Booked into huge rock festivals, he admitted to being discomfited by the sheer volume of the music and the rampant drug use that accompanied much of it. Though he did say he liked The Mamas & The Papas and some of the other, more melodic groups, I got the strong impression that he would not have willingly sat through another Jimi Hendrix set. After Woodstock, when he saw half a million young people "in the mud, and no one in their right mind," Shankar insisted to his overeager managers that he would not do any more rock festivals.

So for much of the 1970s, Shankar kept a relatively low profile, and when he returned in the '80s, he found that the wave of raga-rock excess has crested, and left behind in its wake a much smaller, but still substantial, number of listeners who were genuinely interested in and moved by his music. When he marked his 50th anniversary of performing, he seemed as energized as ever. Every night, he said, meant a different audience, and that kept it new for him.

Shankar passed on his musical genes. His son Shubho passed away in 1992 at the age of 50, but had toured with Ravi and had proven himself a worthy musical companion. His daughters, Anoushka Shankar and singer Norah Jones have each come into their own in the last decade -- Norah of course with a boatload of Grammy Awards and Anoushka as a globetrotting, risk-taking sitarist very much cut from her father's cloth.

And finally, Ravi Shankar taught. You can take that any way you want: He literally taught music to students in school and in private. But he also taught several generations of Westerners to appreciate the beauty and tradition of Indian music. On an even more basic level, he taught us that just because music doesn't come from your culture doesn't mean it can't be yours.

The first time I met Ravi Shankar, he told the story of the first time he
met Baba Allaudin Khan, the man who would become his guru (and later, his
father-in-law). Khan began, he recalled, “by rebuking me. He said I was
like a butterfly, doing too many things.” Ravi was a 15-year old dancer in
his brother Uday Shankar’s troupe, which in the 1930s first brought Indian
music and dance to the West. He also sang, played flute, and sitar – by ear.
Khan told him that when he was ready to settle down and commit to one thing,
he would accept him as a student. It was, Ravi said, a difficult decision,
and it took a couple of years, but he eventually committed to the sitar.The first time I met Ravi Shankar, he told the story of the first time he
met Baba Allaudin Khan, the man who would become his guru (and later, his
father-in-law). Khan began, he recalled, “by rebuking me. He said I was
like a butterfly, doing too many things.” Ravi was a 15-year old dancer in
his brother Uday Shankar’s troupe, which in the 1930s first brought Indian
music and dance to the West. He also sang, played flute, and sitar – by ear.
Khan told him that when he was ready to settle down and commit to one thing,
he would accept him as a student. It was, Ravi said, a difficult decision,
and it took a couple of years, but he eventually committed to the sitar.

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New Sounds

Ravi Shankar on Around New York (1991)

Wednesday, December 12, 2012

WNYC

From this 1991 afternoon music and interview show, Ravi Shankar performs in the WNYC Studios and talks with John Schaefer about upcoming projects and concerts.

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New Sounds

A Remembrance of Ravi Shankar

Wednesday, December 12, 2012

Tonight's show is a remembrance of Ravi Shankar, who died yesterday at the age of 92.  Listen to excerpts from his in-studio appearances and live performances, from his first appearance in our New Sounds studios in the 1980's to when he brought his then 15-year old daughter, Anoushka Shankar in 1996.  Along the way, Ravi explains his instrument, mentions his association with George Harrison and the hippies, and celebrates every audience as a way of keeping his music new.  Also, hear a classic Deutsche Grammophon recording of Raga Gara, and more.

PROGRAM #3407, Ravi Shankar: A Remembrance (First aired on 12/12/2012)                                        

ARTIST(S)

RECORDING

CUT(S)

SOURCE

Ravi Shankar, Yehudi Menuhin, and Alla Rakha

Live at the United Nations, Dec. 10, 1967

Raga Piloo [14:00]

This performance not commercially available. However, the commercial release of these duets is on Angel Records, “West Meets East: The Historic Shankar Menuhin Collection” and is available at Amazon.com

Ravi Shankar

Tana Mana

Tana Mana [3:42]

Private #2016. Out of print. Available on the 2001 compilation “Bridges: Best of Private Music Recordings.” thru Amazon.com

Ravi & Anoushka Shankar

Live at WNYC, 11/7/1996

Gat in Charukesi (7:00)

This performance not commercially available.

Ravi Shankar

Live at WNYC, 1991
Around New York.

Tilak Shyam [3:10]

This performance not commercially available. 

Ravi Shankar and Alla Rakha

Ragas Hameer & Gara

Rag Gara [13:38]

Deutsche Grammophon #2531 216 (LP) Out of print. Try Amazon.com or auction sites. 

 

 

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WQXR Blog

Ravi Shankar, Sitar Master Who Spread Indian Music, Dies at 92

Tuesday, December 11, 2012

Ravi Shankar, the sitar player and composer who became India's most influential musician, died Tuesday evening in San Diego, CA. He was 92.

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Q2 Music

Young Glass, New Sounds

Tuesday, September 04, 2012

As part of Music of Constant Change, Q2 Music spotlights archival episodes of WNYC's New Sounds by streaming interviews between host John Schaefer and many of Glass's most important colleagues, including Ravi Shankar and director Robert Wilson.

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New Sounds

West Looks East: Japan

Wednesday, March 07, 2012

For this New Sounds program some Western musicians look to Japan for inspiration both melodic and instrumental. Hear selections from a recent release by cellist/composer Jordi Savall called "Hispania & Japan - Dialogues," created following the catastrophes in Japan in 2011.  It's actually based on a previous project from 2006, "The Route of the Orient," revolving around the Spanish Jesuit missionary St. Francis Xavier (Francisco Javier). 

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WQXR Features

Café Concert: Daniel Hope's 'East Meets West' Ensemble

Wednesday, November 16, 2011

East and West met, in a manner of speaking, in the WQXR Café recently. The occasion was a performance by violinist Daniel Hope, sitarist Gaurav Mazumdar and tabla player Vishal Nagar.

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New Sounds

Vaults: Ravi Shankar

Tuesday, August 01, 2006

On this New Sounds with a 1989 program, listen to a visit from none other than Ravi Shankar. The sitar master presents music from several different collaborations, explains how to pronounce "raga," and puns on the meat-eating west.

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New Sounds

With Ravi & Anoushka Shankar

Thursday, November 07, 1996

In this 1996 show, Pandit Ravi Shankar and his then 15-year old daughter, Anoushka Shankar visited the studio.  The Indian sitar maestro discussed the importance of teaching the vocal repertoire so that one might sing on the sitar, and made mention of his new 4-CD retrospective, then just-released.  The father-daughter duet also performed an adapted South Indian raga (actually it was performed as a family, with the time kept by Ravi's wife, since there was not a tabla player at the session.) 

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New Sounds

With Ravi Shankar

Friday, April 12, 1985

Ravi Shankar joined John Schaefer in the studio back in 1985. In his genteel and engaging way, Shankar told the story of his musical training, mentioned some of his collaborations, remembered meeting Philip Glass (at a recording session of Shankar's soundtrack to "Chappaqua,") and talked about another of his famous students, George Harrison. Shankar also recounted the flower children, freaks and the attendant drug culture at the Monterey Pop Festival. Plus, Shankar explained what a raga is, and is not, and previewed some of the concerts that he was about to give. Special thanks to NYPR Archivists Andy Lanset and Marcos Suiero Bal for making this program playable.

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