Streams

 

 

Dick Connette

New Sounds

The Cajun Influence

Sunday, April 12, 2015

Cajun music from Beausoleil, Last Forever, Darol Anger, Michael Doucet, Philip Aaberg, Penguin Café Orchestra, and the "Beasts of the Southern Wild soundtrack."

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New Sounds

Gated Music

Friday, November 21, 2014

Hear music made using noise gates on this New Sounds program, including works by Joshua Fried and his musical shoes, and Daniel Figgis.

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New Sounds

The Cajun Influence

Friday, March 14, 2014

For this New Sounds, we’ll sample music that shows the influence of traditional Cajun music from the fiddling, the accordion, the triangle and other instruments, in somewhat unusual contexts.  Listen to several excerpts from Dan Romer & Benh Zeitlin's score for the film “Beasts of the Southern Wild,” set in Louisiana, along with music by the late Michael Galasso. Then there’s music by the Penguin Café Orchestra who drew from Cajun fiddling, and the influence comes out on pieces like “Swing the Cat” and “Bean Fields.”

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New Sounds

Gated Music

Wednesday, August 07, 2013

Hear music made using noise gates on this New Sounds program.  How does it work?  Basically, when open, a gate allows you to hear the sound behind it, but when closed, you don’t.  (Here’s a handy tutorial about gates.) Listen to music from A. Leroy (Dick Connette) as he takes a recording of a Mardi Gras Indian song and through the use of gating, turns it into a rhythm track.  Also, hear Joshua Fried’s musical shoes, as played with drumsticks in the service of Linda Fisher’s piece, “Big Mouth,” featuring cartoon music and sound effects, from a live performance recorded back in 1990.

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New Sounds

The Cajun Influence

Friday, December 07, 2012

For this New Sounds, we’ll sample music that shows the influence of traditional Cajun music from the fiddling, the accordion, the triangle and other instruments, in somewhat unusual contexts.  Listen to several excerpts from Dan Romer & Benh Zeitlin's score for the film “Beasts of the Southern Wild,” set in Louisiana, along with music by the late Michael Galasso. Then there’s music by the Penguin Café Orchestra who drew from Cajun fiddling, and the influence comes out on pieces like “Swing the Cat” and “Bean Fields.” 

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