Right now, the world's focus is on Rio for the 2016 Olympics. Brazil is on our minds, too, so we've made a weekend playlist filled with international collaborations between Brazilian artists and other musicians from around the globe. These are some extraordinary duets, from bossa nova to tropicalia and beyond. No Olympic competition here — just collaboration!
Astrud Gilberto and Stan Getz
"The Girl From Ipanema" was the height of bossa nova, and it's still the song everyone conjures when they think of Rio. The song was inspired by a real person, Helô Pinheiro, who would pass by the bar-café where composers Antonio Carlos Jobim and Vinicius De Moraes sat and sought inspiration. Astrud Gilberto and Stan Getz's version was a worldwide smash in 1964.
Seu Jorge and Beck
Caetano Veloso and David Byrne
The Brazilian superstar Caetano Veloso played a concert with David Byrne at Carnegie Hall in 2014. They mostly performed Veloso's music, along with this Talking Heads classic, "(Nothing But) Flowers".
Vinicius Cantuária and Bill Frisell
The renowned guitarist Bill Frisell and the Brazilian singer-songwriter Vinicius Cantuária finish each other's musical sentences on the 2011 album Lágrimas Mexicanas, which features Cantuária's gorgeous compositions. The two performed "Calle 7" live on WNYC's Soundcheck.
Gilberto Gil and Jimmy Cliff
There's no question as to Bob Marley's influence throughout the world — and certainly in Brazil. Here, the Jamaican reggae star Jimmy Cliff and Brazil's musical ambassador Gilberto Gil pay tribute to Marley with "No Woman No Cry".
Luis Bonfa and Perry Como
This video is from 1963, when the bossa nova craze was heating up in the U.S. It's a wonderful document: Como sheepishly confesses that he doesn't speak "Brazilian," and Bonfa zings him back a moment later. (I also recommend this great Smithsonian Folkways reissue of the guitarist's solo work, recorded in 1958.)
Olodum and Michael Jackson
Michael Jackson and director Spike Lee had to go to court in Rio to be allowed to shoot this video in the Dona Marta favela — but the residents didn't seem to have a problem. The power of the drum corps Olodum helps convey Jackson's message as they all dance through the streets of Salvador, the group's hometown.