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Art Spiegelman's 'Maus' Now Celebrated in New Exhibit

Saturday, November 09, 2013

Art Spiegelman, cover art for Maus I, first edition, c. 1986 (Courtesy of The Wylie Agency LLC)

The artist who turned his parents' survival from the Holocaust into a Pulitzer-prize winning graphic novel is the subject of a new exhibit at the Jewish Museum.

The Art Spiegelman retrospective, which includes five decades of his work, includes his novel Maus, his covers for the New Yorker magazine, and some avant-garde comic strips.

Smoking an e-cigarette at the press opening of the show, Spiegelman said that initially he didn't want to have a retrospective of his work.

"Actually,  just somehow I had to be dragged kicking and screaming to being ordained with more success," he said. "It's very nice, but I have a kind of anhedonic personality, that just goes like, 'Oh God, what is going on now?'"

Spiegelman said his work is dark but funny, which he says stems from self-deprecatory Jewish humor.

"It is a self-defense mechanism that served outsiders — like Jews were in the early part of the century and the century before — well, and I probably just inherited that without even noticing it was coming with my mother's milk," he said.

To listen to a clip of Spiegelman explaining the origins of his sensibility, click on the audio link.


Courtesy of The Wylie Agency LLC
Art Spiegelman, cover art for “Valentine’s Day,” The New Yorker, February 15, 1993
Courtesy of Condé Nast
Art Spiegelman and Françoise Mouly, cover art for “Ground Zero,” The New Yorker, September 24, 2001
Courtesy of The Wylie Agency LLC
Art Spiegelman, Self-Portrait with Maus Mask, The Village Voice, cover, June 6, 1989
Courtesy of The Wylie Agency LLC
Art Spiegelman, original art for RAW no. 7: The Torn-Again Graphix Mag, 1985
Courtesy of The Wylie Agency LLC
Art Spiegelman, It Was Today, Only Yesterday (detail), 2012, digital drawing for a painted glass installation at The High School of Art and Design, New York

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