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"The Armory Show at 100" : Slideshow

Wednesday, November 27, 2013

Marsden Hartley (American, 1877-1943), Still Life, No. 1, 1912.

Oil on canvas, 31 ½ x 25 5/8 in. Columbus Museum of Art, Ohio: Gift of Ferdinand Howald, 1931.184.

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

Vincent van Gogh (Dutch, 1853-1890), Mountains at Saint Rémy (Montagnes à Saint-Rémy), 1889.

Oil on canvas, 28 ¼ x 35 ¾ in. Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Justin K. Thannhauser, 1978, 78.2514.24

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

Courtesy of the National Gallery of Art, Washington
Paul Gauguin (French, 1848-1903), Parau na te Varua ino (Words of the Devil), 1892.

Oil on canvas, 36 1/8 x 26 15/16 in. National Gallery of Art, Washington, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman.

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

© 2013 Succession H. Matisse / Artists Rights Society (ARS), New York. Photography by Mitro Hood.
Henri Matisse (French, 1869-1954), Blue Nude, 1907.

Oil on canvas, 36 ¼ x 55 ¼ in. The Baltimore Museum of Art: The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.228.

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

© 2013 Delaware Art Museum / Artists Rights Society (ARS), New York
John Sloan (American, 1871-1951), Sunday, Women Drying Their Hair, 1912.

Oil on canvas, 26 1/8 x 32 1/8 in. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Museum Purchase, 1938.67.

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

© 2013 Estate of John Marin / Artists Rights Society (ARS), New York.
John Marin (American, 1870-1953), Woolworth Building, No. 28, 1912.

Watercolor over graphite, 18 ½ x 15 9/16 in. National Gallery of Art, Washington, Gift of Eugene and Agnes E. Meyer.

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

Photo, Richard Greenly Photography
Augustus E. John (Welsh-British, 1878–1961), The Way Down to the Sea, 1909–11.

Oil on canvas, 29⅞ × 26⅜ in. (76 × 67 cm). Private collection.

Pierre-Auguste Renoir (French, 1841-1919), Algerian Girl, 1881.

Oil on canvas, 20 x 16 in. Museum of Fine Arts, Boston, Juliana Cheney Edwards Collection, 39.677

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

Honoré Daumier (French, 1808–1879), Third Class Carriage (Un Wagon de Troisième Classe), 1856–58.

Oil on panel, 10¼ × 13⅜ in. (26 × 33.9 cm). Fine Arts Museums of San Francisco, Museum purchase, Whitney Warren, Jr. Bequest Fund in memory of Mrs. Adolph B. Spreckels, Bequest funds of Henry S. Williams in memory of H. K. S. Williams, Magnin Income Fund, Art Trust Fund, Alexander and Jean de Bretteville Fund, Art Acquisition Endowment Income Fund in honor of Mrs. John N. Rosekrans, 1996.51

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

© 2013 Artists Rights Society (ARS), New York / ADAGP, Paris / Succession Marcel Duchamp
Marcel Duchamp (French, 1887-1968), Nude Descending a Staircase (No. 2), 1912.

Oil on canvas, 57 7/8 x 35 1/8 in. Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950, 1950-134-59.

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.

Smithsonian Institution
Overhead view of Armory installation, 1913. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution

From “The Armory Show at 100: Modern Art and Revolution,” on view at the New-York Historical Society through February 23, 2014.