Agnes Obel: Stark And Seductive Chamber Pop

When you listen to Agnes Obel's gorgeously exposed music, it feels like intruding on a private rehearsal you weren't meant to hear. On her stunning 2011 debut, Obel's minimal pop songs showcased the classically-trained pianist's seductive voice and dreamlike harmonies. Yet it's a richly textured sound that demonstrates Obel's equal appreciation of Debussy and Joni Mitchell, Bartok and Kate Bush, Cat Power and John Cale. Philharmonics was not only critically-acclaimed, but also went Platinum in France and Belgium, Gold in Holland, and five times Platinum in her native Denmark -- where she earned five Danish Music Awards.

Now with her latest album, Aventine, the Copenhagen-born, Berlin-based composer and singer has crafted one of the most immersive albums of the year. Starkly arranged around piano -- with Anne Müller's refined cello accompaniment that mostly dances around the shadows -- songs like "Fuel To Fire" or "Dorian" balance Obel's ornate delicacy with heart-wrenching and unflinching lyrics. Aventine is a record full of darkness and playful flourish; a fully-realized and confident artistic vision from an exciting young voice.

Set List:

• "Fuel To Fire"
• "Dorian"
• "The Curse"