A Black Photographer Looking for Her Way in

Sunday, January 26, 2014

"Untitled (Woman and daughter with makeup)" from Carrie Mae Weems' Kitchen Table Series. On display at the Guggenheim Museum through May 14. (Carrie Mae Weems, courtesy of the Guggenheim)

A veteran American photographer is getting her first major museum retrospective. Carrie Mae Weems' work, now at the Guggenheim Museum, focuses mostly on issues facing African Americans, such as racism and personal identity.

Deborah Solomon is WNYC's art critic. In this interview, she said it's telling that Weems often appears in her pictures with her back to the viewer, and close to a door. "The question she is always asking is: where can I enter? Where as a black artist can I enter art history, where can I enter the world?," she said.

Solomon described Weems' pictures as both provocative and intimate. "She has a unique ability, I think, to meditate on the large themes of history, such as injustice, while exploring tiny moments that add a lot of humanity to the photographs," said Solomon.

The exhibit features more than 120 works, including photos, videos and texts, spanning three decades of Weems' career.

Weems was awarded a 2013 MacArthur Fellowship. She lives in Brooklyn and Syracuse.

"A Broad and Expansive Sky - Ancient Rome," featuring Weems, was shot in 2006.
Carrie Mae Weems, courtesy of the Guggenheim
Weems' show includes pieces like "Untitled (Colored People Grid)," which she worked on from 2009-2010.
Carrie Mae Weems, courtesy of the Guggenheim
"Untitled (Man and mirror)" from Carrie Mae Weems' "Kitchen Table Series."
This photo, titled "Family Reunion," is from Weems' series "Family Pictures and Stories," which she shot from 1978 -1984.


Deborah Solomon


More in:

Leave a Comment

Email addresses are required but never displayed.

Get the WNYC Morning Brief in your inbox.
We'll send you our top 5 stories every day, plus breaking news and weather.


Latest Newscast




WNYC is supported by the Charles H. Revson Foundation: Because a great city needs an informed and engaged public


Supported by