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Larry Rivers: Right or Wrong?

Friday, July 23, 2010

The flurry of debate surrounding the collected archives of proto-pop artist and beatnik hero Larry Rivers has died down, but the issues it raised still have people talking.

The Reader's Digest version of what happened:

NYU Libraries purchased Rivers' archives from the Larry River Foundation for an undisclosed price. They were set to be transferred later this month.

Among the materials was a series of films, titled Growing, which documented the passage of his teenage daughters into puberty with images of their developing breasts and uncomfortable questions about their changing bodies. One of the daughters, Emma Tamburlini, says that the videos were filmed without her consent, and claims that posing for those videos was psychologically damaging.

The New York Times published a story on the controversy which led to a firestorm of impassioned calls to NYU Libraries, the University changed its position and requested that the videos not be transferred to their possession with the rest of the archives.

For now, the foundation that manages Larry Rivers' works will hold onto them. Tamburlini continues to seek their return to her custody.

The story raised a handful of issues: the ethics of art and parenthood, the archivist’s instincts towards preservation versus the personal needs of an individual, and the line between nudity and pornography. All this happening during a news cycle that features headlines from Roman Polanski, asking us to consider whether artists are above the law.

We asked a range of experts to weigh in and tell us where they stood on these questions.

Dani Shapiro – Writer; Mother

Dani Shaprio is the author of a 2007 novel Black & White, inspired by the controversy surrounding Sally Mann's "Immediate Family," a book of photographs of her three children, often nude. She wrote an op-ed in The New York Times condemning Rivers' Growing and criticizing the position of NYU.

"At least in my own interpretations of where the line is, it's not, “Never write about your children.” On the other hand, I think that children of writers and artists that are written about, it can be complicated for them. They can feel that their privacy has been invaded.

I have a pretty good feel for myself of where I would be crossing the line and invading my child’s privacy, but at the same time I don’t think I could say “I’m not going to write about him at all,” because it would be like cutting off a limb, creatively speaking.

The point that I really want to make is that the Rivers case is the ultimate victimization of an artist's children by the artist, and sort of the coercion of them to speak in ways they weren’t comfortable speaking, themselves, about their own physical and sexual development. I don’t really see how it’s possible to think of that of anything other than abuse and victimhood.”

Rick Woodward –  Arts Critic

Rick Woodward is an author, journalist and art critic who writes for a number of publications. He did a lot of thinking about the issues surrounding parenthood, art, and child pornography while researching for a 1992 article for The New York Times Magazine, titled "The Disturbing Photography of Sally Mann."

“Larry Rivers was an artist and kind of a nut, and this was a time when nudity was not supposed to be a big deal. Parents were nude in front of their children, and anyone who objected was supposed to have hangups, so it has to be put in some kind of historical context.

I just think that anyone who objects to piece of art in an archive because it's offensive – that principal has to be watched very carefully. There is a lot of material in the archives or writers and historians that offends someone, and I certainly don’t think this work should be destroyed, but I think if they severely restrict it, it should be kept as part of the record of part of who he was.

Its disingenuous to think that people aren’t going to be upset by it at the same time, as Larry Rivers certainly knew. He would screen this work, and he certainly knew that he was doing something naughty or transgressive. He was a provocateur, and this was part of who he was and part of his outrageousness.”

 Amy Adler -  Professor of Law; Child Pornography Expert

 Amy Adler is the Emily Kempinon Professor of Law at NYU School of Law. She among the nation’s leading experts on child pornography law. She also specializes in free speech and art law.

“What’s interesting, is that when it comes to adult pornography – that’s sort of the perennial question, “is it art or it obscene?” - and traditionally, in First Amendment law, if something can be shown to have artistic value, then no matter how dirty it is, it’s protected by the First Amendment.

But when it comes to images of children, then the question of whether something is art, doesn’t matter any more, in the eyes of the law.

The legal definition of child pornography is visual images of child sexual conduct. I think it’s possible, without having seen the videos, that this is a case where a film is both legally child pornography, but might also be important in terms of understanding an artist’s corpus. I would say that artists aren’t always known for their moral greatness, or lack thereof. And sometimes what makes something great art, might be the very thing that’s most morally disturbing about it.”

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Comments [3]

MrMan from USA

This has nothing to do with whether it is "art". It has nothing to do with why Rivers did it. Woodward and Adler are completely useless commentators on this subject because they do not answer the question. Was this child abuse or not, and should this be destroyed?

I am not interested in their ramblings about free speech and disturbing art.

Two young girls were filmed nude without their consent. That's not "pushing the enveloped". That's not "being provocative with your art." That is child abuse.

Honestly, the writings of these so-called lawyers and critics sound like
the disturbing double-speak I imagine Rivers used to coerce his children into making these
films.

Imagine it this way. Suppose Larry Rivers took films like this of YOUR 11 year old daughter. Would you think it's okay then? Would you not think the films should be destroyed?
Why does it matter at all that they were his own daughters.

ARGH... This is so blatantly a trampling of human civil rights by perverted artists and
media people that I cannot believe it is even a question.

Sep. 15 2014 01:03 PM
Mia Wicklund from Chicago IL

I can appreciate both sides however it is disturbing to me how minors' rights can be tossed aside for adult purposes. If any other artist would have created this film, in this manner, what would the implications be? And when minors are tried as adults, they are again having their rights as minors pushed aside.

Oct. 13 2010 04:53 PM
Jen

I like how Rick Woodward doesn't even bother to address the actual issue. It's not that "people" are upset, it's that Emma Tamburlini, daughter of Larry Rivers, felt violated by him filming her. This was not a provocateur making art, it was a father abusing his child in the name of what he called art. It started when both girls were 11 years old - NOT teens. Emma confronted her father about the filming when she was a teen and her father dismissed her feelings just like he did all the years that he was filming her without her consent. He abused his authority as a parent to make both girls do something they WERE NOT comfortable doing. "People" aren't asking for this footage to be returned to them. Emma, the person who was violated, wants this film returned to her and her sister - as her father promised. It is not art, it's abuse, and she doesn't want the record of her father's abuse in the hands of some foundation who might dole it out whenever they feel like it. There is no decision to be considered, the foundation needs to do the right thing.

Jul. 23 2010 09:19 PM

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