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Episode #1824

Program #1824

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Sunday, September 29, 2002

Computer music has long held connotations of being "cold" and "academic," but as this program of works by Noah Creshevsky, Pauline Oliveros, and others, shows, computer technology has also afforded a sense of universality and unlimited boundaries to new music.

PROGRAM # 1824, computer music (First aired onTues, 9/12/00)

ARTIST(S) RECORDING CUT(S) SOURCE

Noah Creshevsky

Who

Fanfare [8:00]

Centaur #2476** PRMS* or www.centaurrecords.com

CDCM Computer Music Series, Vol. 7

iEAR studios at RPI

P. Oliveros: Lion's Tale [15:00]

Centaur #2047, see above.

CDCM Computer Music Series, Vol. 27

Music from CEMI

P. Winsor: Il Passaggio Spaziale [8:00]

Centaur #2407, see above.

CDCM Computer Music Series, Vol. 7

iEAR studios at RPI

J. Chadabe: Modalities [7:30]

See above.

Noah Creshevsky

Who

Nude Ascending [6:30]

See above.

CDCM Computer Music Series, Vol. 27

Music from CEMI

L. Austin: Quadrants, Event/Complex #1 (excerpt) [5:00]

See above.

For more information, links, and other resources devoted to computer and electronic music, check out www.emf.org .

Find the recordings you've heard - go to the New Sounds Recordings Information page

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