Streams

Brains Have No Sex

By Lisa Sergio

Monday, September 16, 2013 - 10:00 AM

WQXR News Commentator Lisa Sergio wrote the following article for the WQXR Program Guide in April, 1943. As a woman in the almost exclusively male domain of news commentary, Sergio distinguished herself as the only woman Variety included in its 1945 analysis of 30 popular radio news commentators. Her essay is a brief reminder of just how far women have come in the field of journalism. The guide prefaced the piece with this introduction:

Because many people wonder how it feels to be a woman radio commentator, we asked Miss Sergio to write the following article. She need no introduction to the WQXR audience, which listens to her regularly at 7 o'clock every evening, Monday through Friday, nor to her morning audience at 10 A.M. on Monday and Friday.

"Brains have no sex," Madame Chiang-Kai-Shek told a press conference in Washington when asked her views on the Equal Rights Amendment. Everybody agreed with her, it seems. Everybody present, that is. But in radio broadcasting, experts will tell you that listeners classify brains according to the speaker's sex. The woman commentator who deals in current events does not come out on top. This is what the experts say: men don't like to have a woman tell them what's what; they want he-man stuff or nothing. Women, they continue, don't like to take it from another woman, for they also demand the stern voice of male authority when they learn the war news and the political issues that perplex and confuse this man-made world.

I am one who agrees with the brilliant lady from China and who takes little stock in the findings of those obliging experts. I will admit that one man in my audience, who signs his name in full and gives me his address each time, accuses me at regular intervals of being a female parrot who belongs in the kitchen. I can also boast one woman listener who remains anonymous in the mail, and who, with the same frequency, bids me get off the air and let a worthy man fill in the time with brains and common sense. However, I am glad to say that these two specimens are not typical of my audience, for thousands of others write in their criticisms, good and bad, without reference to petticoats or pants. And that is the way it should be.

Woman commentators are the product of the last few years. In the beginning sing as they would, fiddle as they would, women in radio were confined to the class known as "fillers". Eventually women broke into the cereal and macaroni game, and their cooking schools conducted over the radio called for all the mental agility of the housewife, combined with persuasive tones and convincing words. They made a hit and still retain their high-ranking place in this field. But they have also broadened out, bringing their measure of intuition, common sense, appreciation of particulars, analytical faculty, in brief their brains, to the discussion of other, graver subject.

Here, too, women can claim and hold a place. If men and women are equally needed in the war effort, as they indubitably are, if men and women the world over are bearing the tragic burden of a war without quarter, as they are, it follows that men and women can equally contribute to the understanding of issues at stake and of the sometimes baffling trend of the events which affect us.

It so happens that I have been on the air for just ten years, a decade in which both radio and the world have revolutionized themselves. I began in Europe, commenting on the news of the day--the first assignment of this kind, it seems, ever given to a woman over there. Perhaps it was a tough one. To me it was exciting and unique. Ten years of familiarity with current events and with the microphone on both sides of the ocean, have neither dulled the excitement, nor bred contempt of the matter I deal with nor of the medium through which I reach the audience. And in all these years rarely, if ever, have I had reason to feel that being a woman was a handicap in this field. That is why I prefer not to believe the experts.

The quickened pace of the last few years, the broader freedom which America offers as compared to most countries of pre-war Europe, the stimulating contrast of opinions and clash of reactions in the heterogenous American audience, and the growing suspenses which the state of war brings into our lives, are factors that have unquestionably increased the responsibilities I recognize in the work of a commentator. But I do not believe that, as a woman, I recognize them less clearly nor accept them less honestly, than my male colleagues. Women as a whole, make a smaller fuss about accepting responsibilities, of whatever nature, than men. That is probably why they get less credit for fulfilling them, and more criticism if they fail! That is why they have to work harder to make a place for themselves and to hold it.

Frankly, the commentator's business boils down to this, I think: in hectic times it is a hectic marching step one has to keep. One must have mental energy, and some physical stamina too: a mind free from prejudice and stocked with as many facts and realities as it will hold. Whether it is a man or a woman collecting material, analyzing it, writing it up, making deductions and presenting the picture to the unseen audience, the most important single factor is sincerity. On the strength of that the audience, forgetting the sex, will condone the inaccuracies and errors when they occur, because the microphone has a strange and impolite way of sending over the air waves not only what the commentators say, but also what they think in the silent recesses of their minds.  

____________________________________________

Lisa Sergio's WQXR Column of the Air from June 20, 1941:

 

[Editor's Note]  Lisa Sergio was a pioneer radio broadcaster in Mussolini's Italy who became a dedicated anti-Fascist and news commentator for WQXR and other American radio stations.  Known as ''the Golden Voice of Rome,''  she translated Mussolini's speeches into English and French almost simultaneously on the air until her changes to propaganda commentaries got her fired from Rome radio. Facing arrest and internment in 1937, she was smuggled aboard a trans-Atlantic liner by radio inventor and family friend Guglielmo Marconi. Settling in New York City, she became a guest observer for NBC radio and the host for broadcasts including Metropolitan Opera performances and Berkshire music festivals. She then became one of the few female news commentators with her own weekday Column of the Air on WQXR from 1939 to 1946.

According to the scholar Stacy Spaulding, pressure from the House Un-American Activities Committee (HUAC) led to Sergio's firing from WQXR and later blacklisting from radio.[1] In WQXR's defense, the decision to fire Sergio was part of a move dropping all news commentaries and anticipating The New York Times takeover of all news programming at the station. It is also argued that the action was an effort to avoid violating an earlier FCC decision (1941) prohibiting station editorializing.[2] Sergio, a fervent advocate of democracy, free speech and feminism, died in June, 1989.

[1] Spaulding, Stacy, "Off the Blacklist, But Still a Target: The Anti-Communist Attacks on Lisa Sergio," Journalism Studies, Vol. 10, No. 6, 2009, pg. 789.

[2] Ibid., pg. 793.

*The center photo of Lisa Sergio is courtesy of the Library of Congress, NYWT&S Collection.

 

Editors:

Andy Lanset

Tags:

More in:

Leave a Comment

Email addresses are required but never displayed.

Get the WNYC Morning Brief in your inbox.
We'll send you our top 5 stories every day, plus breaking news and weather.

Sponsored

About NYPR Archives & Preservation

Mission Statement: The New York Public Radio Archives supports the mission and goals of WNYC and WQXR by honoring the broadcast heritage of the radio stations and preserving their organizational and programming legacy for future generations of public radio listeners. The Archives will collect, organize, document, showcase and make available for production all original work generated by and produced in association with WNYC and WQXR Radio.

The NYPR Archives serves the stations staff and producers by providing them with digital copies of our broadcast material spanning WNYC and WQXR's respective 90 and 77 year histories.  We also catalog, preserve and digitize, provide reference services, store, and acquire WNYC and WQXR broadcast material (originals and copies) missing from the collection. This repatriation effort has been aided by dozens of former WNYC and WQXR staff as well as a number of key institutions. Additionally, our collecting over the last ten years goes beyond sound and includes photos, publicity materials, program guides, microphones, coffee mugs, buttons and other ephemera. We've left no stone unturned in our pursuit of these artifacts. The History Notes is a showcase for many of these non-broadcast items in our collection. 

In fact, if you’ve got that vintage WNYC or WQXR knick-knack, gee-gaw, or maybe a photo of someone in front of our mic, an old program guide or vintage piece of remote equipment and would like to donate it to us, or provide a copy of the item to us, write to Andy Lanset at alanset@nypublicradio.org.   

The Archives and Preservation series was created to bring together the leading NYPR Archives related, created, or sourced content material at WNYC.org.

Feeds

Supported by