The Fourth of July is just around the corner, and on the big day, Tchaikovsky's 1812 Overture will be heard from coast to coast, complete with fireworks and cannons. But how did a Russian composition, depicting the rout of Napoleon's Army, end up as the unofficial soundtrack for our most quintessentially American holiday?
NPR's Scott Simon spoke to two folks who know the answer. David Mugar, executive producer of the Boston Pops Fireworks Spectacular, recounts firsthand how the piece was deployed to turn around the annual concert's flagging popularity in the 1970s; he's joined here by Boston Pops music director Keith Lockhart. Click the audio link to hear their conversation.