LATIN BEAT: ROBERTO BOLANO AND THE WRITERS HE ADMIRED
Sunday, August 12, 2012
A look at the sometimes dark world of the Chilean poet and novelist Roberto Bolano (2666).
Roberto Bolano is best known to American audiences as the author of the prodigious novel 2666. But this cosmopolitan Latin writer, who lived in Paris, Barcelona, and Mexico City before his death at the age of fifty in 2003, also wrote short stories and had eclectic tastes ranging from hard-boiled crime fiction to the fiercely dreamy works of Borges. This program begins with Borges’ “The Shape of the Sword,” read by SHORTS regular Charles Keating.
SHORTS literary commentator Hannah Tinti notes, “What’s interesting about “The Shape of the Sword” is that Borges wrote himself as a character in the story, hearing the tale, using his own name. In fact, the narrator even calls Borges his “confessor”, making this story tread the line of non-fiction.”
Less well known than Borges, but also partaking of the Latin tradition’s admixture of fantasy and reality, is the Madrid-born writer Javier Marias, whose “On the Honeymoon,” is a haunting tale of a powerful, and accidental encounter. Tinti notes, “Marias builds such a complex, emotional mood that by the end I was sure that anything could have happened between these two characters, and I would have believed it.” “On the Honeymoon” was translated into English by Margaret Jull Costa and was read by Ivan Hernandez.
We complete this Roberto Bolano program with a story by Bolano himself. “William Burns” reflects the writer’s interest in crime fiction and the noir tradition. Tinti notes “I think William Burns is a perfect combination of the first two stories we heard on the program. It brings the dream-like qualities of Marias’s “On the Honeymoon” and mixes them with the hard-nosed action and story-within-a-story structure of Borges’s “The Shape of the Sword.” Bolano’s love of the detective novel also shines through, with a mystery presented but never quite resolved. The reader is Michael Stuhlbarg.
The musical interludes are from “The Grifters,” by Elmer Bernstein and “Sunroof,” by Marcio Montarroyos, from “Brazilian Contemporary Instrumental Music” (Black Sun.)
The SELECTED SHORTS theme is Roger Kellaway’s “Come to the Meadow.”
“The Shape of the Sword,” by Jorge Luis Borges, translated by David A. Yates, performed by Charles Keating
“On the Honeymoon,” by Javier Marias, translated by Margaret Jull Costa, performed by Ivan Hernandez
“William Burns,” by Roberto Bolano, translated by Chris Andrews, performed by Michael Stuhlbarg
For additional works featured on SELECTED SHORTS, please visit http://www.symphonyspace.org/genres/seriesPage.php?seriesId=71&genreId=4
We’re interested in your response to these programs. Please comment on this site or visit www.selectedshorts.org
And for more thoughts on the stories in SHORTS, check out literary commentator Hannah Tinti’s site at http://hannahtinti.com
(This program first aired during our 2010 season.)