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Gallerina's Summer Art Round-Up

A few of the season's can't-miss shows.

Thursday, August 18, 2011 - 12:00 AM

WNYC
For the Musically Minded: Steven Kasher Gallery in Chelsea is examining punk and post-punk graphics. Above, Jamie Reid's seminal 1976 design for the Sex Pistols' <em>Anarchy in the U.K.</em> For the Musically Minded: Steven Kasher Gallery in Chelsea is examining punk and post-punk graphics. Above, Jamie Reid's seminal 1976 design for the Sex Pistols' Anarchy in the U.K. (Courtesy of Steven Kasher Gallery, New York)

It’s the middle of August -- and that means all things artsy fartsy have come to a veritable standstill or, in some cases, migrated to the Hamptons, where they've gotten lost in a frothing vortex of white parties and Cristal. That does not mean, however, that there isn’t some serious art greatness to check out in the city. In lieu of my regular Must-See Arts datebook, here’s a guide to my favorite summer shows:

**LAST WEEK: Rude and Reckless: Post-Punk Graphics, 1976-82 at Steven Kasher Gallery Music and graphic design come together for an exhibit that looks as if it’s about to mosh right off the wall. The show consists of posters, gig flyers and other ephemera for late ‘70s/early ‘80s bands such as the Clash, the Ramones, Joy Division and the Sex Pistols. The exhibit is an excellent walk down memory lane. (There’s even a flyer for Patti Smith from Licorice Pizza, the Huntington Beach record store I frequented as a youngster in the O.C.) But in our graphic design obsessed universe, the art itself is of interest: pop appropriations that borrow liberally from Warhol, but with grittier images and an acid color palette. There are only two more days to see this one, so get over there! Through Friday, in Chelsea.

Ostalgia at the New Museum Okay, so I’m plugging this show two weeks in a row, but it richly deserves it: an incredible gathering of works by more than 50 artists from the countries of the former Soviet Bloc. The work is gripping and urgent — a record of a now disintegrated society whose propaganda spouted tropes about mightiness and glory, but where reality was (and is) far more nuanced. Particularly intriguing are the photographs by Boris Mikhailov on the second floor (a stunning record of the mundane and the grotesque), as well as the floating mirror installation by Edward Krasinski on three. I discussed the show and its themes over WQXR late last week — so please click through for an audio report. Through Sept. 25, on the Lower East Side.

In a New Light: Bellini’s St. Francis in the Desert at the Frick Collection Many paintings depicting Catholic saints in the process of discovering God tend toward the melodramatic: clouds of angels, holy rays of light, ecstatic gazes at extraordinarily gory moments of martyrdom. Bellini goes in the opposite direction: His St. Francis looks dumbfounded; the stigmata are barely visible; in the background, a shepherd goes on about his business. The painting is simply that of a man — one who happens to be experiencing a life-changing vision. And it is staggeringly moving. It also displays an incredible attention to detail: a tiny rabbit, a placid crane, puffy white clouds in the distance — which make it worthwhile to soak it up in person. This is another show to get on stat. It’s only open for another 10 days. Through Aug. 28, on the Upper East Side.

Talk to Me: Design and the Communication between People and Objects at the Museum of Modern Art. For all of those debating the merits of our ever-increasing reliance and connection to technology, this is the show to see. The exhibit explores the assortment of objects that we in some way interface with on a regular basis, such as the working Metrocard machine in the middle of the gallery. But there are plenty of conceptual pieces, too — such as the “Menstruation Machine,” which allows the dudes to know what it feels like to cramp. (All I gotta say to that is: BRING IT.) It’s a dense show, so if you can’t make it into town or are short on time, the catalogue can be equally enlightening. Through Nov. 7, in Midtown.

Frans Hals in the Metropolitan Museum Along with Vermeer and Rembrandt, Hals is considered one of the great Dutch Masters for a reason: the man knew his way around a brushstroke. They’re wide and messy and downright expressive, but nonetheless manage to convey the individual character and personality of the sitter. With simple dabs of paint, he is capable of recording fleeting glances and passing smirks. It’s a small show, but an instructive one — and the adjacent gallery featuring related works from the era helpfully put the painter in context. Through October 10, on the Upper East Side.

At the New Museum: A gripping exhibit examining the art of the former Soviet bloc. Anri Sala's 'Dammi I Colori' which chronicles an Albanian mayor's attempt to reconfigure the visuals of his city.
Courtesy Marian Goodman Gallery, New York
At the New Museum: A gripping exhibit examining the art of the former Soviet bloc. Anri Sala's 'Dammi I Colori' which chronicles an Albanian mayor's attempt to reconfigure the visuals of his city.
Also at the New Museum, Vladimir Arkhipov's 'Contemporary Russian Folk Artifacts,' a series of utilitarian objects crafted from scavenged materials, a testament to human ingenuity in the face of need.
Courtesy the artist
Also at the New Museum, Vladimir Arkhipov's 'Contemporary Russian Folk Artifacts,' a series of utilitarian objects crafted from scavenged materials, a testament to human ingenuity in the face of need.
Andrew Wekua's sculptures are recollections of real and imagined architecture that was important to the Georgian artist in his youth. Shown here: 'Pink Wave Hunter (Port), 2010–11.'
Courtesy the artist and Gladstone Gallery, New York and Brussels
Andrew Wekua's sculptures are recollections of real and imagined architecture that was important to the Georgian artist in his youth. Shown here: 'Pink Wave Hunter (Port), 2010–11.'
Part of the New Museum's Ostalgia show extends to Governor's Island. There, the artist Andrei Monastyrski has installed a banner that reads:
Courtesy the artist; photo by Naho Kubota
Part of the New Museum's Ostalgia show extends to Governor's Island. There, the artist Andrei Monastyrski has installed a banner that reads:

"I DO NOT COMPLAIN ABOUT ANYTHING AND I ALMOST LIKE IT HERE, ALTHOUGH I HAVE NEVER BEEN HERE BEFORE AND KNOW NOTHING ABOUT THIS PLACE."

At the Frick Collection: Bellini's depiction of St. Francis receiving the stigmata, from the 15th century, is a natural wonder to behold.
The Frick Collection, New York Photo: Michael Bodycomb
At the Frick Collection: Bellini's depiction of St. Francis receiving the stigmata, from the 15th century, is a natural wonder to behold.
At MoMA, an exhibition that examines the point at which humans and machines interact: 'Talk to Me.'
Photo by Scott Rudd
At MoMA, an exhibition that examines the point at which humans and machines interact: 'Talk to Me.'
Kacie Kinzer's so-called 'Tweenbots' are let loose in the galleries every so often. Bystanders help them find their way.
Carolina A. Miranda
Kacie Kinzer's so-called 'Tweenbots' are let loose in the galleries every so often. Bystanders help them find their way.
Photo by Chris Woebken
Among the many extraordinary objects: a head- and hand-set by Chris Woebken and Kenichi Okada that allows users to know what it feels like to be an animal — such as an ant.
A small collection of paintings by the masterful Frans Hals are on view at the Met. Shown here:
The Metropolitan Museum of Art
A small collection of paintings by the masterful Frans Hals are on view at the Met. Shown here: "Young Man and Woman in an Inn (Yonker Ramp and His Sweetheart)," from 1623.
Hals was as known for his racy tavern scenes (see the preceding image) as he was for his frank portrayals of his subjects -- under-eye bags and all.
The Metropolitan Museum of Art
Hals was as known for his racy tavern scenes (see the preceding image) as he was for his frank portrayals of his subjects -- under-eye bags and all.
Just two more days! Steven Kasher has an energizing show of punk and new wave graphic design that includes this vintage Ramones poster from 1977.
Courtesy of Steven Kasher Gallery, New York
Just two more days! Steven Kasher has an energizing show of punk and new wave graphic design that includes this vintage Ramones poster from 1977.
The posters at Kasher are brash and often simply made, in some cases, a simple Xerox copy. Seen here: An installation view of the gallery.
Carolina A. Miranda
The posters at Kasher are brash and often simply made, in some cases, a simple Xerox copy. Seen here: An installation view of the gallery.
1980s punk and new wave poster styles borrowed from constructivism and pop — such as these images advertising The Clash.
Carolina A. Miranda
1980s punk and new wave poster styles borrowed from constructivism and pop — such as these images advertising The Clash.
Some of the ephemera includes the simplest of designs — including this 'Blitzkrieg Bop' poster for the Ramones.
Carolina A. Miranda
Some of the ephemera includes the simplest of designs — including this 'Blitzkrieg Bop' poster for the Ramones.

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About Gallerina

Carolina A. Miranda is a regular contributor to WNYC and blogs about the arts for the station as "Gallerina." In addition to that, she contributes articles on culture, travel and the arts to a variety of national and regional media, including Time, ArtNews, Travel + Leisure and Budget Travel and Florida Travel + Life. She has reported on the burgeoning industry of skatepark design, architectural pedagogy in Southern California, the presence of street art in museums and Lima's burgeoning food scene, among many other subjects. In 2008, she was named one of eight fellows in the USC Annenberg/Getty Arts Journalism Program for her arts and architecture blog C-Monster.net, which has received mentions in the Wall Street Journal and the New York Times. In January of 2010, the Times named her one of nine people to follow on Twitter. Got a tip? E-mail her at c [@] c-monster [dot] net

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