Downtown Arts Festival Springs Forth

Tuesday, March 22, 2011

With warm weather on its way, New Yorkers are coming out of hibernation and going out to plays and concerts. At least, that's the idea behind Spring Downtown — an arts festival that begins this week at selected venues all located below Houston street.

The festival is the product of the Lower Manhattan Arts League, a collective of 11 small downtown arts non-profits that include the Three-Legged Dog theater group, the Battery Dance Company and The Flea Theater.

The League came together three years ago to pool their marketing and fundraising muscle in an effort to stay afloat in hard economic times. Since then, they've produced two Fall Downtown festivals and — including the one that starts this week — two Spring Downtown festivals.

"I think the recession brings to light a number of issues and a certain amount of scarcity that forces people to rethink the way they’re doing things," said Joe Harrell, an arts marketing specialist at the Alliance for the Arts.

Harrell said an increasing number of non-profits are banding together these days, especially downtown where the organizations are small and the rent is high.

"That could mean picking up the phone or sitting down at the table with another arts group, and saying, 'How can we together do this better or be stronger than if we were going it alone?'" he said.

Kristin Marting, the artistic director of HERE, a multidisciplinary arts space and member of the downtown league, said the strategy seems to be working. Although no hard data has been crunched yet, members have reported five to 10 percent increases in attendance since inaugurating the Fall and Spring Downtown festivals.

This year's Spring Downtown includes the Music With a View free concert series showcasing new and experimental music from 25 composers at The Flea, the "MADE HERE" documentary series about performing artists at HERE, and "Born Bad," a Tucker Green drama playing at Soho Rep, among other events.


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Comments [1] from BOONTON, NJ

FESTIVALS, especially in the climate-friendly s ummer months, have long been a yearly project of wide approval and attendance in EUROPE. WHY NOT HERE IN NEW YORK? KUDOS to all involved.KUDOS TO ALL INVOLVED. MUSIC CAN UNITE AND INSPIRE TO ACHIEVEMENT AS PERHAPS NO OTHER ORGANIZED ACTIVITY. The vcariety of your performers, music formats and venues is promising and encouraging.
We have1800 orchestras in this country. That represents many many more than those who are actually affiliated with an orchestra, but who definitely love their instrument and the music they play. As in every endeavor, classical music, the theater, fine arts, museums, and libraries, there must be a core of enthusiastic supporters and "evangelists" who reach out to secure new fans. Every musical format has its virtues. We do not want to curtail rap, country western or rock music and their fans but rather facilitate their osmotic hearing the music in ancilliary venues, and in school and pre-school activities. Modern sophisticated methodologies that have massive outreach potential should be more imaginatively employed. A FUN, enjoyment, approach, not an ivory tower professorial protocol can elicit favorable interactive commitment to deepening one's core interests and values. Charismatic personalities have been known through the ages to enlighten and enlist "the troops."
Kenneth Bennett Lane, Wagnerian heldentenor, & director, the Richard Wagner Music Drama Institute, where professional actors are trained for the Shakespeare roles and big-voiced singers are coached in the Wagner roles and voice production and dramaturgy techniques.
Website: where one may download, free, 37 complete "Live from Carnegie Hall" selections sung by Kenneth Lane in four concerts, three of them three hours-long solo concerts and one a Joint Recital with the dramatic soprano Norma Jean Erdmann, in the main hall of Carnegie Hall, the Isaac Stern Auditorium, by opening up, the "Recorded Selections" venue on the home page.

Mar. 22 2011 07:21 PM

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