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Jazz Fusion or Confusion?
Not long ago, it was believed that the heyday of jazz-rock fusion was over. But with updated versions and revivals of the genre making their appearances left and right, jazz purists are complaining that the music is cheesy and commercial while fusion lovers are fighting back with accusations of narrow-mindedness. On today’s Soundcheck Smackdown we debate the merits of this long-controversial genre. Also: Bluegrass fiddle player Sara Watkins performs live in our studio.
Smackdown: Jazz Fusion
Since its emergence in the late 60’s, jazz-rock fusion has been controversial. Jazz purists decry its use of rock styles, electronic instruments, and what they feel are its commercial pretensions. Yet fans consider it visionary and experimental. As fusion makes a comeback with new albums and tours (not to mention the revivalist genre acid jazz), we debate the merits of the “F Word.” Joining us are Will Layman, columnist for Popmatters.com and a contributor to NPR, and Howard Mandel, arts journalist and president of the Jazz Journalists Association.
Soundcheck blog: John Schaefer on jazz-fusion
Tell us what you think of fusion: Is it commercial, bombastic and kind of cheesy? Or cool and open-minded? Leave a comment:
Howard Mandel's Jazz Beyond Jazz blog
Will Layman on Return to Forever's new album (popmatters.com)
Sara Watkins
Fiddle player Sara Watkins spent her teen and young adult years in the Grammy winning bluegrass group Nickel Creek. Her new solo debut was produced by Led Zeppelin’s John Paul Jones and features guest spots from Gillian Welch and her former bandmate Chris Thile. She and her brother, the guitarist Sean Watkins, join us for a live performance.
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