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On Demand

Ask The Record Doctor

Monday, December 08, 2008

If you've ever been confused or put off by the process of buying a classical recording, tune in as The Record Doctor pays a visit. Want to know the best recording of Beethoven’s Ninth Symphony? Or where to start with Wagner? The Record Doctor – a.k.a. the ever-opinionated British music critic Norman Lebrecht -- will be here to take your calls and e-mails.

Soundcheck blog: John Schaefer on classical music advice (Plus: a cute koala photo!)

Patients: What's troubling you? What do you want to know about buying classical recordings? Ask The Record Doctor below.

Norman Lebrecht's Web site


Comments

  • [1] Jed from Inwood December 03, 2008 - 01:44PM

    I've always wanted to know which recording of Stravinsky's Rite of Spring is best. Does the Doc recommend Boulez? Or the Robert Craft versions that Stravinsky himself authorized? Thank you in advance.


  • [2] marie from brooklyn December 06, 2008 - 05:14PM

    Hi, I am a painter, and I listen mostly to indie rock, but there are a few classical recordings that are a regular part of my playlist.

    I would like to expand that...I can't seem to find anything else that puts me into contemplative listening like Satie. I like the pauses, the spareness, but also the variation in tempo...

    any other recommendations?

    thank you.


  • [3] Rex from New York December 06, 2008 - 11:02PM

    Marie,

    Check out the Glen Gould recording of the Goldberg Variations. I think you will like it.


  • [4] Eric from Detroit, MI December 07, 2008 - 08:05PM

    I find that I never like modern (e.g, late 20th century) classical music. It's seems like it's either too abstract or too cliched. Any recommendations for composers from this timer period?


  • [5] Mary from Minnesota December 07, 2008 - 10:51PM

    In the past, several record labels had the reputation of being higher quality. Currently which recording companies are considered premium? How important is the label in choosing a recording or should one focus on the performing group or individual only?


  • [6] Larry from Ohio December 07, 2008 - 10:59PM

    If you Google "essential classical music", many suggestions come up. Which, if any, of these lists do you recommend?


  • [7] Julie December 08, 2008 - 01:18PM

    Where would you start with Philip Glass? I ask as someone who feels like she should know about his work but who really doesn't, beyond a film score or two.


  • [8] john G. from Atlanta December 08, 2008 - 02:13PM

    My wife asked me to get her Rachmaninov #2 for Xmas, do you think she means The Hungarian Rhapsody #2, or the 2nd Symphony?

    She's 50, African American, likes Classical, New Age, and R&B.

    thanks.

    John.


  • [9] Gary from UWS December 08, 2008 - 02:14PM

    What's a "record"?


  • [10] Claire from Brooklyn December 08, 2008 - 02:15PM

    I am a graduate student who likes to listen to music while studying, but with the caveat of needing to listen to something that is not distracting. I often listen to Pablo Casals or to Chopin as played by Ashkenazy, and would appreciate any recommendations.


  • [11] Cory from Planet Earth December 08, 2008 - 02:17PM

    I find just about any J.S. Bach, if played authentically or by Glenn Gould, to be just what the doctor ordered. Every time I try to expand my listening to other composers, they seem second or third rate by comparison. What should I do?


  • [12] Ekow from Brooklyn, Ny December 08, 2008 - 02:17PM

    I want to get into classical music but it's hard for me to get into it , but i listen to alot of blues, jazz and hip hop. I would love to listen to classicals early in the morning but i can't.


  • [13] Carl Ian Schwartz from Paterson, New Jersey December 08, 2008 - 02:28PM

    This whole discussion takes me back to "Vertigo" (1958), in the scene where the James Stewart character is in a mental institution and Mozart is being played. The Barbara Bel Geddes character mentions "Mozart for Melancholics."

    Music has its powers. Some is purposely written--the wonderful requiems are an immediate example. When my mother died in the early hours of May 2, 2006, I asked my husband to put a requiem on the stereo--he wisely picked the Fauré, which lacks a dies irae. It fell like a coating of fluffy snow or down upon spirit and gave great comfort.

    Sometimes the opposite happens. A year or two before I heard the story about the composition of Strauss's "Metamorphosen," we were driving into New Orleans to visit friends who returned there after Katrina. The piece, heard earlier in the day en route down from Nashville, came immediately to mind and dovetailed with the devastation. I almost had to stop driving because of the tears.

    Yes, sometimes tears are necessary (and healthy!)--and music can enhance and deepen the reason for tears.


  • [14] robert from new york December 08, 2008 - 02:33PM

    for the godspeed you black emperor listener. try h.gorecki symph no.3. rs


  • [15] David Hume from Staten Island, NY December 08, 2008 - 02:34PM

    John,

    Fabulous show. You need to have on the Record Doctor all the time. Thanks for the recommendations.

    Dave


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