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Greil Marcus's 'Mystery Train'
In 1975, music critic Greil Marcus published Mystery Train, which for the first time placed rock 'n' roll within the context of American cultural archetypes, from "Moby-Dick" to Jay Gatsby.
Thirty-three years later, the book remains a benchmark of criticism and has inspired countless music scribes. He joins us on the occasion of the book's fifth printing to discuss how artists like Elvis Presley and Sly Stone are continuing to impact American culture.
Weigh in: Does rock 'n' roll music still matter today?
Our blog: John Schaefer on pop music and the cultural landscape.
Mystery Train: Images of America in Rock 'n' Roll: Fifth Edition on Amazon
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Elvis Presley's first album
Bob Dylan-The Freewheelin' Bob Dylan
Bob Dylan-Highway '61 Revisited
The Beatles-Meet The Beatles
The Beatles-Sgt. Pepper's Lonely Hearts Club Band
The Velvet Underground with Nico
The Band-Music From Big Pink
The Band-The Band
Bruce Springsteen-Born To Run
Marvin Gaye-What's Going On?
Props to Jeffrey for the awesome list of most important albums in rock history. But hang on ... sharp left turn! We've changed today's web question. Hit us back with your answers to: "Does rock 'n' roll music still matter today?"
It still matters to me because I still enjoy listening to it.
I just wonder whether the category "rock-and-roll" itself still matters.
I live and breathe rock and roll. Much as I keep on coming back to the first records by The Clash and The Gang Of Four, Highway 61 Revisited, Let It Be (you decide which one!), and the VU, I don't know if it still "matters" in the way it used to. While I find records such as these to be life-affirming/changing experiences, younger generations have too many distractions to find r'n'r to be anything more than something to fill up the iPod with. If they ever got to hear "White Riot" today, they'd download it alone, and miss out on "Career Opportunities," for example. Too many pop-punk bands have watered down the formula, and not enough people are going to experience the untainted source material of say, "Funhouse." And I don't even know where to start with The Stooges honoring Madonna at the Hall of Fame, to laugh or to cry.
Rock still exists in many forms, of course, but the mass media mostly focuses squarely on packaged teen pop stars and slick R&B and rap. That's what you'll hear on American Idol and that's what brings in the widest range of fans. Unfortunately, it also tends to be the lowest common denominator in terms of quality and innovation.
Rock isn't dead but it's much more peripheral to the mainstream.
Talking about "elevating popular culture" to the level of the official "High Culture" starts from the false premise that "High Culture" is somehow inherently superior.
Rock is in a sorry state. Most young acts don't have enough of a sense of history. It's not their fault, they have to actually do research. The fragmentation of mass media doesn't help either.
Today’s Rock n’ Roll is absolutely a relevant art form. In fact, I’m eager to see how the way we listen to music and find new bands adjusts with the new technology and mediums to come. There are several contemporary bands, while not multi millionaires, that have huge followings, sell out shows, and are coming up with incredibly creative and innovative sounds. I think we need to begin to change our definition of “success” in terms of rock bands. It’s very difficult to me to compare them with the teen/pop/r&b stars previous posters mentioned, as their product is so commercial, generic, and dull. It’s like comparing apples and hammers. Just look at the works of Wilco, The Decemberists, Okkervil River – just to name a few, who challenge us and stretch the form towards new boundaries.
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