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Soundcheck

Thursday, May 19, 2005
  • Renee Fleming - photo by Andrew Eccles
    Renée Fleming (Andrew Eccles)

    Opera Singers in the Jazz Club

    Before crossover became a fashionable record-biz term, opera singers were crossing over into the world of jazz and American popular song. In the 1950s, the American soprano Eileen Farrell surprised many with albums like "I Got a Right to Sing the Blues." Jessye Norman, Dame Kiri Te Kanawa, and Dawn Upshaw have crooned the lyrics of Gershwin and Vernon Duke. The latest installment in this tradition is soprano Renée Fleming, whose new CD "Haunted Heart," is a collection of popular standards and ballads. Are opera singers "slumming" when they cross over or stretching their artistic boundaries? Opera News executive editor Brian Kellow joins us to look at this venerable tradition.

Soundcheck Smackdown: When Contemporary Met Classical

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Like vegetables stuck into a delicious meal, contemporary classical music is forced on concert audiences before they are allowed to enjoy their Brahms. So says humorist, critic and author Joe Queenan. Today, Queenan and John Berry, Artistic Director with English National Opera, join us for a Soundcheck Smackdown debate on the merits of contemporary music.

You Are What You Hear

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Washington Post reporter Paul Farhi takes us through some of the most famously botched song lyrics in rock history. We’ll explore why the words we make up are usually more interesting than the real version. Then, listeners confess their favorite and most embarrassing reinvented lyrics.

Leave a comment: Give us your favorite set of misheard lyrics! Were you disappointed when you learned the actual words?

Rosanne Cash and Mark O'Connor

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For her, he was a father. For him, he was a boyhood hero. For the nation, he was an icon. Singer-songwriter Rosanne Cash and composer and violinist Mark O'Connor join us to talk about how Johnny Cash has inspired their musical collaboration. And they will play live.

Soundcheck's Summer Song Poll

Soundcheck

Every year, popular and critical opinion somehow converge to settle on a "summer song." In 2007, it was Rihanna's "Umbrella." The year before, it was "Crazy" by Gnarls Barkley. The practice stretches back to the very dawn of pop radio. Yet defining the essence of a "summer song" is a bit elusive. We enlist the help of Blender editor at large Lizzy Goodman -- and of our Soundcheck listeners, in an online poll.

Cast your vote: Soundcheck's Summer Song Poll 2008

Can't decide? Check out audio and video clips of the contestants here.

Our blog: John Schaefer asks what makes a good summer song,