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Thursday, September 30, 2004
  • Frederick Renz - earlymusic.org
    Frederick Renz (earlymusic.org)

    Medieval Times

    Performing early music can be a thankless job. Newcomers find the timbre and pitch of Baroque instruments strange. Critics sometimes disparage early music specialists for being overly dogmatic and literal in their attention to detail. And New York has never received the attention it deserves in this genre, particularly when compared with Boston, London or Paris. A 10-day New York Early Music Celebration is trying to address these issues and demonstrate just how vibrant and diverse the local scene is. Today we're joined Frederick Renz, an event organizer as well as a major performer, conductor and producer on the early music scene. Also: Just how different does a Baroque violin sound from a modern one? Members of the Connecticut-based American Classical Orchestra will drop by with an in-studio demonstration.

Best Live Performances of 2008

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We revisit memorable in-studio performances from Toumani Diabaté, Cat Power, Regina Spektor, and others.

The Year in Music and Branding

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Pop music and advertising go together like peanut butter and jelly. Grey Group music director Josh Rabinowitz shares his picks for the best song picks and ad campaigns of 2008.

Critics Week

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Music writers look back at the year's best pop, rock, hip hop, classical, jazz, Latin and world albums. Plus: the worst music of the year and the best online music. Read our critics' lists here. And don't forget to cast your vote in our best-albums poll.

Noteworthy New York

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We have invited musicians and artists to help us select their favorite cultural destination in the neighborhood where they live. From parks and coffee shops to bowling alleys and museums, the options are as diverse as our group of contributors.