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Soundcheck

Wednesday, February 11, 2004
  • Michael Cunningham Photo
    Michael Cunningham (photo by Brad Fowler)

    Who's afraid of Virginia Woolf?

    Certainly not Michael Cunningham, the Pulitzer Prize winning author of the Hours. He has written that certain specific pieces of classical music haunt him while writing his novels, and music appears frequently as part of the narrative in his work. He joins us today along with the conductor William Eddins. Both will be participating in an upcoming concert by the Brooklyn Philharmonic that features readings from Cunningham's novels along with performances of music inspired by his writings. Also, sometimes vocal music is more than just about the words – but the "instruments" that produce it. New York Times cultural critic John Rockwell believes that conservatory-trained singers today have become overly cautious and maybe a little rock 'n' roll abandon is what's needed to enliven the art form. He joins us to discuss this topic.

Best Live Performances of 2008

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We revisit memorable in-studio performances from Toumani Diabaté, Cat Power, Regina Spektor, and others.

The Year in Music and Branding

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Pop music and advertising go together like peanut butter and jelly. Grey Group music director Josh Rabinowitz shares his picks for the best song picks and ad campaigns of 2008.

Critics Week

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Music writers look back at the year's best pop, rock, hip hop, classical, jazz, Latin and world albums. Plus: the worst music of the year and the best online music. Read our critics' lists here. And don't forget to cast your vote in our best-albums poll.

Noteworthy New York

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We have invited musicians and artists to help us select their favorite cultural destination in the neighborhood where they live. From parks and coffee shops to bowling alleys and museums, the options are as diverse as our group of contributors.