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Tunisian Melodies
The compositions of Tunisian lute player Anouar Brahem have taken their inspiration from Syrian, Egyptian, and Indian schools of music, among others. But during a brief period when he ignored his lute, he sat down at his piano to write more jazz-inflected songs for his latest album, Le pas du chat noir. On Tuesday’s program, Brahem and his trio visit the studio for a live performance and a conversation about up-ending his usual creative process. Plus, Robert Johnson, the artistic director of the New York Philomusica, discusses the ensemble’s 31st anniversary season, which includes a never-heard rearrangement of a Duke Ellington piano concerto and premieres of works by composers Michael Berkeley and Jan Swafford.
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The New York Philomusica’s mission is to present the widest spectrum of
contemporary chamber music possible by involving established performers and
living composers in the programming process.
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