Before "crossover" became a controversial marketing term in classical
music, Alec Wilder was a composer who managed to bridge the worlds of serious
and popular music, jazz and classical, the concert hall and the dance hall, without
losing credibility in any of those areas. Since his death in 1980, he's had few
modern-day champions but that appears to be changing. The New York-based chamber
ensemble, the Four Bags, has developed some intriguing and idiosyncratic interpretations
of Wilder's music, as we hear on today's show. We're also visited by music writer
and Time Out New York contributor Marion Lignana Rosenberg, who reviews some important
new reissues of the coveted and controversial recordings of the soprano Maria
Callas.
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