wnyc.org / 93.9fm / am 820

New Sounds

Wednesday, October 08, 2008
  • romashka CD cover

    The Eastern European Influence

    Hear some works from Western (and perhaps a few Eastern) musicians inspired by the often odd-metered dances and laments of Eastern Europe on this New Sounds program. The brassy Balkan beats of Romashka together with their Lithuanian-born singer draw on gypsy and folk music from Russia, Romania and the Balkans for a downtown blast of madness. We’ll hear something from them, along with music from the Canadian-Ukranian musicians Paris To Kyiv, and the Serbian, Macedonian, Bulgarian –American band Zlatne Uste (Golden Lips), as well as prog-folk from the Slovene group Katalena. Plus new music based on ancient Turkish makams from Edward Hines, music by Les Miserables Brass Band, and more.

PROGRAM # 2851, The Eastern European Influence (First aired on Wed. 10/08/08)

ARTIST(S)

RECORDING

CUT(S)

SOURCE

Romashka

Romashka

Rostemul [2:00]

www.romashka.net

Zlatne Uste

In the Center of the Village

Lipe Cvatu [4:30]

Azalea City ACCD-9903 www.azaleacityrecordings.com

Les Miserables Brass Brand

Manic Traditions

Ramo Ramo [4:30]

Northeastern 5004 Out of print, but try Amazon.com*

Edward J. Hines

An American In Istanbul

Yeni Makam 4 [2:00]

EHM 7799
www.hinesmusic.com

Orbestra

Transdanubian Swineherds’ Music

Aide Jano [3:00]

Hannibal/Rykodisc HNCD 1367 Out of Print. Try gemm.com OR Amazon.com*

Paris to Kyiv

Fragmenti

Golden Years [6:00]

Olesia Records AKBCD 05 www.olesia.com, cdbaby.com, or download from Emusic.com

Yuri Yunakov

Roma Variations

Balkanalia [6:00]

Traditional Crossroads #4306 www.traditional-
crossroads.com

Paris to Kyiv

Fragmenti

Oj Na Nebi Oblaczko [5:00]

See above.

Zlatne Uste

In the Center of the Village

Na Khelav, Na Gilavav [4:30]

See above.

Katalena

Kmečka ohcet

Nee mi več rasla [3:00]

Dallas 382
www.dallas.si

OR www.katalena.net

Romashka

Romashka

Mariana [3:30]

See above.

Comments

  • [1] patti from ATL GA October 08, 2008 - 11:53PM

    oh this is awesome thanx i'm glad i found you


Leave a Comment

Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. WNYC reserves the right to edit any comments posted on this site. Please read the WNYC.org Comment Guidelines before posting.

Your comment


* required
The information entered into this form will not be used to send unsolicited email and will not be sold to a third party.
 

Twitchy Renaissance-Infused Minimalism

New Sounds

From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.

In Robert Moran's Kitchen

New Sounds

From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.

Michael Hedges and Michael Manring

New Sounds

The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.

Caravan Variations

New Sounds

Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.