wnyc.org / 93.9fm / am 820

New Sounds

Thursday, September 11, 2008
  • bartsch

    EuroMinimalism, Part II

    For this New Sounds, listen to a follow-up to last night’s show, with minimal and post-minimal music from Michael Nyman, Anton Batagov, Ludovico Einaudi, Nik Bärtsch, and others. Nik Bartsch’s Ronin make "ritual groove," with repetitive motifs that gradually evolve. We'll also hear music from the Italian pianist and composer Ludovico Einaudi, and English minimalist Michael Nyman. Plus there's some music from the Russian keyboard player/composer Anton Batagov, who self-produces electronic and experimental works and releases them on his own private label. And as always, much more.

    PROGRAM # 2843, Euro-Minimalism, Part 2 of 2 (First aired on Thurs, 9/11/08)

    ARTIST(S)

    RECORDING

    CUT(S)

    SOURCE

    Wim Mertens

    Close Cover

    Gentleman of Leisure, excerpt [1:30]

    Windham Hill #1056.
    Out of print, but try auction sites.

    Michael Nyman

    The Essential Michael Nyman

    Prawn-Watching [2:30]

    Argo #436 820. Out of print, but see www.michaelnyman.com for info

    Bruno Letort

    L’Affaire Desombres

    Voyage vers L’Aubrac [3:00]

    CMG #CUB-01054 www.koka.com *

    Ludovico Einaudi

    Divenire

    Andare [7:00]

    Ponderosa #035** www.ludovicoeinaudi.com *

    Joby Talbot

    Music for Classic FM

    First Day Of Summer [6:00]

    For info, www.jobytalbot.com

    Ludovico Einaudi

    Divenire

    Divenire [4:30]

    See above.

    Eric Mertens

    Spleen, Original

    Little Giant [3:30]

    Available at www.emusic.com

    Anton Batagov

    Dialog

    System [6:30]

    Russian release; for info: www.batagov.com/entrancen.htm

    Nik Bärtsch’s Ronin

    Stoa

    Modul 36, excerpt [11:00]

    ECM #1939. www.ecmrecords.com *

Special Podcast: 25th Anniversaries for Two (originally aired Sept. 4, 2007)

Laurie Anderson's unique and original "Big Science," a blend of smart sung-spoken lyrics and unsettling textures of music, came out of nowhere in 1982, with its skewed pop and minimalist themes teasing at the surreal and absurd. "The sounds of 'Big Science' are stark and asymmetrical, but they’re also often bizarrely hypnotic." (Pop Matters.com) And let's not forget the vocoder on Anderson's voice. Also, wouldn't you know it, it was September 3, 1982 that New Sounds first went on the air. For this New Sounds program, Laurie Anderson and host John Schaefer celebrate 25th Anniversaries together.

New Sounds now has a podcast! Subscribe to the podcast.

New Sounds #2710

Comments

  • [1] Anthony Clune from Brooklyn September 12, 2008 - 12:00AM

    Cool Show John. Especially liked the Nik Bartsch stuff and the one with the Russian ATM machine voice...


  • [2] richmond from nyc September 12, 2008 - 07:27AM

    Dear New Sounds, What was the Michael Nyman piece on your show on Sept 11 08? Thanks


  • [3] New Sounds Assistant from New York, NY September 12, 2008 - 12:03PM

    Sorry for the delay in posting last night's playlist. Hopefully this will answer all of your questions.

    -Caryn, the Assistant


This thread is closed.


Twitchy Renaissance-Infused Minimalism

New Sounds

From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.

In Robert Moran's Kitchen

New Sounds

From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.

Michael Hedges and Michael Manring

New Sounds

The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.

Caravan Variations

New Sounds

Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.