On Demand
New Sounds
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EuroMinimalism, Part 1
Though it developed in the States, Minimalism has spread, and now post-minimal music can be heard on both sides of the Atlantic. We'll hear music by Hauschka, Howard Skempton, Max Richter, the Penguin Cafe Orchestra, Wim Mertens, and more. Hauschka is the alias of German pianist/composer Volker Bertelmann, who playfully explores the ‘prepared’ piano in his works. We'll hear something from his latest release - "Ferndorf." There's also music by British composer Howard Skempton, Belgian minimalist Wim Mertens, and much more.
PROGRAM # 2842, Eurominimalism, pt 1 (First aired on Wed. 9/10/08)
ARTIST(S)
RECORDING
CUT(S)
SOURCE
Philip Glass
Glass Box
Music In Similar Motion, excerpt [1:30]
Nonesuch #424508** www.nonesuch.com *
Howard Skempton
Well, Well, Cornelius
Rumba [1:00]
Sony Classical # 66482**
www.sonyclassical.com *Hauschka
Ferndorf
Blue Bicycle [5:30] Morgenrot [3:00]
Fat Cat #1308.
www.fatcat-usa.comEnya
Watermark
Miss Clare Remembers [2:00]
Reprise #26744**
Howard Skempton
Well, Well, Cornelius
Well, Well, Cornelius [3:00] Prelude 3 [2:00]
See above.
Max Richter
Memoryhouse
November [6:00] Last Days [4:30]
Late Junction / BBC, www.maxrichter.com OR purchase on amazon.co.uk
Hauschka
Ferndorf
Rode Null [4:30]
See above.
Penguin Café Orchestra
Music from the Penguin Cafe
Penguin Café Single [6:30]
Editions EG #27. Available at Amazon.com
Piccola Accademia degli Specchi
MinimaMachta
Wim Mertens: Gentleman of Leisure [4:30]
Special Podcast: A World in New York (originally aired on Nov. 22, 2006)
From the New Sounds Live concert series, hear great women’s voices in World Music – all based in New York. Listen to performances by Susan McKeown (Ireland, via Manhattan), and Angelique Kidjo (Benin, via Brooklyn) recorded live at the World Financial Center's Winter Garden in 2006.
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In Robert Moran's Kitchen
New Sounds
From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.
Michael Hedges and Michael Manring
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
Caravan Variations
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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Thank you for this very interesting discovery.
I foud out very impessive this italian picola academia degli specchi, and italian composer Sommacal: very elegant, powerful and emotional. Merci and grasie!
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