On Demand
New Sounds
-
Taj Mahal (Gonomad.com)
Site-Specific Music
Listen to works inspired by and made for specific locations, including flutist Paul Horn's historic recording in the Taj Mahal, and Robert Fripp's soundscapes for the World Financial Center. Plus, Alvin Lucier's "I Am Sitting In A Room," which actually uses a room's natural resonance to produce the music over time as the initial utterance decays, and Paul Winter's new recording in the alpine valley of Crestone, Colorado.
PROGRAM #2693, Site-Specific Music (First aired on Thursday, 6/28/07)
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ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Paul Winter Consort |
Crestone |
Whooper Dance [4:00] |
Living Music #41 ** www.livingmusic.com |
|
Paul Horn |
Inside the Taj Mahal |
Inside [3:30] |
Kuckuck #11062 www.harmonies.com * |
|
Robert Fripp |
Love Cannot Bear |
Requiem - Affirming [10:00] |
Discipline Global Mobile #0552 www.dgmlive.com/shop.htm |
|
Alvin Lucier |
I Am Sitting In A Room |
Edited version [16:00] |
Lovely Music #1013 www.lovely.com OR Available for purchase at Amazon.com** |
|
LaMonte Young |
The Well-Tuned Piano |
The Magic Harmonic Rainforest Chord, excerpt [12:30] |
Gramavision #8701 Out of print. Info at www.lamonteyoung.com |
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New Sounds Live
2008-2009 Concert Season
Bobby Previte's musical miniatures, mystical choral music by Morton Feldman and Arvo Part, peace pieces for piano, and post-rock/post-jazz.
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
Caravan Variations
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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