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New Sounds

Saturday, August 16, 2008
  • sexmob sexotica

    Almost Jazz

    For this New Sounds show, sample some recent recordings of works that stretch the definitions of jazz. Listen to Sex Mob's latest record "Sexotica" with its riffs on of the booze-drenched lounge feel of 50's bandleader Martin Denny. The results are playful and adventurous, and with the electronic splicing after the free expression (courtesy of GoodandEvil - Brooklyn producers Danny Blume and Chris Kelly), sound like a primal reinvigoration of exotica. Also, listen to pianist Jason Moran’s work, “The Shape, The Scent, The Feel of Things” a commission for the Dia Art Foundation, which accompanied performance/video artist Joan Jonas' abstract video piece. Plus, music by the unpredictable trio of Bill Frisell, Ron Carter, and Paul Motian, who take “Pretty Polly” and let it timeshift and almost swing, with a blend of skewed folksiness and behind-the-beat blues phrasing.

PROGRAM #2580: “Almost Jazz” (First aired on Fri. 9-08-06)

ARTIST(S)

RECORDING

CUT(S)

SOURCE

Sex Mob

Sexotica

Martin Denny [7:00]
Dick Contino [5:00]

Thirsty Ear #57171** www.thirstyear.com*

The Bad Plus

Suspicious Activity?

Anthem for the Earnest [6:30]

Columbia #94749 ** www.thebadplus.com*

Jason Moran

Artist in Residence

Refraction I [6:00]
Arizona Landscape [3:00]
He Puts On His Coat And Leaves [5:00]

Blue Note #62711 ** www.bluenote.com*

Bill Frisell, Ron Carter, Paul Motian

Bill Frisell/Ron Carter/Paul Motian

Pretty Polly [7:00]

Nonesuch #79867 www.nonesuch.com* OR Amazon.com*

Pharoah Sanders

A Prayer Before Dawn

Living Space [4:00]

Theresa #127 / Evidence try Amazon.com*

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Twitchy Renaissance-Infused Minimalism

New Sounds

From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.

In Robert Moran's Kitchen

New Sounds

From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.

Michael Hedges and Michael Manring

New Sounds

The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.

Caravan Variations

New Sounds

Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.