On Demand
New Sounds
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John Schaefer (wowe - www.wowe.it)New Releases July 2008
It's that time of the month again for the new releases show on New Sounds. Now that the dust has cleared from the move, John Schaefer carefully sorts through the stacks, and boatloads of new CDs which have actually reached his desk over the past month to present some of the finest new releases. What we can see from here includes the new release from Nico Muhly, "Mothertongue," an opera from John Adams, based on a south Indian fairy tale, "A Flowering Tree," and a beautiful collection of choral music by Tarik O'Regan. All this and much more.
PROGRAM # 2830, New Approaches to Orchestral and Chamber Music (First aired on Thursday, July 31, 2008)
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ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
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Max Richter |
24 Postcards in Full Colour |
H Thinks A Journey [1:00] |
Fat Cat CD - CD13-07 www.fat-cat.co.uk
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Hans Zimmer & James Newton Howard |
The Dark Knight |
I’m Not a Hero [6:00] |
Warner Bros #49860** www.warnerbrosrecords.com* |
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Nico Muhly |
Mothertongue |
Hress [3:30] Monster [4:30] |
Brassland #018** www.nicomuhly.com |
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Tarik O’Regan |
Threshold of Night |
The Ecstasies Above [17:00] |
Harmonia Mundi #807490** www.harmoniamundi.com* |
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John Adams |
A Flowering Tree |
The Bride Sunk Her Face [5:00] |
Nonesuch 327100, due out in September 2008. www.nonesuch.com |
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David Pritchard |
Vertical Eden |
Garden of Time [5:00] |
Morphic Resonance #10016 www.morphicresonancemusic.com * |
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Twitchy Renaissance-Infused Minimalism
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From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.
In Robert Moran's Kitchen
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From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
Caravan Variations
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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