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New Sounds / July 27, 2008

New Sounds

Sunday, July 27, 2008
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  • Joby Talbot CD cover

    New English Choral Music

    Up on this New Sounds program, hear some new choral music representing three different generations of English choral composers, including the recently premiered work "Path of Miracles" by Joby Talbot. Based around the 500-mile Catholic pilgrimage from Roncesvalles in the Pyrenees to the grave of St James at Santiago di Compostella in north-west Spain, the a capella song cycle’s four movements move with the ancient pilgrimage through privation and celebration. There’s also music by Ivan Moody, his Canticum Canticorum I, written for the Hilliard Ensemble. Plus, hear some of the mystical minimalism of John Tavener.

PROGRAM #2572, new English choral music (First aired on Thurs 7/20/06)

ARTIST(S) RECORDING CUT(S) SOURCE
Joby Talbot Path of Miracles Leon [11:30]
Santiago [18:00] 		Signum #078. www.signumrecords.com* *
John Tavener Ikon Of Light Mystic Prayer To The Holy Spirit, excerpt [13:00] Gimell #005** www.gimell.com *
The Hilliard Ensemble A Hilliard Songbook Ivan Moody: Canticum Canticorum I [5:00] ECM #1614/15.** www.ecmrecords.com *

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Nico Muhly (www.myspace.com/muhly)

Twitchy Renaissance-Infused Minimalism

New Sounds

From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.

Robert Moran

In Robert Moran's Kitchen

New Sounds

From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.

Michael Hedges and Michael Manring

New Sounds

The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.

Duke Ellington - www.dukeellington.com

Caravan Variations

New Sounds

Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.

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