On Demand
New Sounds
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New Americans: Australia & Canada
WNYC's series, The New Americans, celebrates musicians from around the world working in the US. For this edition of the program, we'll focus on works from such exotic places as Canada and Austalia. Listen to music by Canadian Michael Brook, who has most recently made a splash with the soundtrack to Al Gore's documentary, "An Inconvenient Truth." Plus, music from Clogs, the World Saxophone Quartet and Adam Rudolph's Moving Pictures.
PROGRAM #2774, New Americans X: Australia, Canada (First aired on Tuesday, 3-11-08)
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ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
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Michael Brook |
RockPaperScissors |
Pond [4:30] |
Canadian Rational # www.bighelium.com * |
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Clogs |
Stick Music |
Pencil Stick [6:00] |
Brassland #007 www.brassland.org* |
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World Saxophone Quartet and African Drums |
Metamorphosis |
Lullaby [4:30] |
Nonesuch #79258 ** www.nonesuch.com* |
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Adam Rudolph’s Moving Pictures |
Dream Garden |
Walking the Curve [5:30] |
JustinTime #8537* www.justin-time.com* |
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World Saxophone Quartet and African Drums |
Metamorphosis |
Su Mama Ah Zumu [6:30] |
See above. |
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Adam Rudolph’s Moving Pictures |
Dream Garden |
Happiness Road [3:00] |
See above. |
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Aquiles Baez |
La Patilla |
Choro [6:00] |
Cacao Musica #009** www.cacaomusica.com* |
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New Sounds Live
Highlights with Audio
An exclusive presentation of New Sounds Live and WNYC Live performances for the website, featuring performances from inside and outside the WNYC studios from over three decades.
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From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
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