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New Sounds

aluminium

The Orchestra Rocks

Show #2608

Friday, February 08, 2008

Listen to Joby Talbot’s remarkable orchestrations of songs by The White Stripes - "Aluminium" - on this edition of New Sounds. Talbot, who was part of the cult British band The Divine Comedy, has collaborated with Ute Lemper, and has written some killin’ scores for films, in addition to re-imagining Jack White’s blues-based tunes. There’s also music by Jaz Coleman, who founded the legendary post-punk experimental group, Killing Joke. We’ll hear Coleman's violin concerto based on songs by The Doors. The work was written for Nigel Kennedy, and commemorates those who fell in the Vietnam War. Also, hear Philip Glass’s “Low Symphony,” based on music by David Bowie and Brian Eno. Plus orchestral music by rockers Jon Lord, and David Byrne and more.


PROGRAM # 2608, The Orchestra Rocks (First aired on 11/21/06)

ARTIST(S)

RECORDING

CUT(S)

SOURCE

The White Stripes

Elephant

The Hardest Button To Button [2:00]

V2 Records Available at Amazon.com* , or download from emusic.com or iTunes

Aluminium

Aluminium

The Hardest Button To Button [3:00]

Available as a download on iTunes, emusic.com , or listen live at www.myspace.com/alumiiinium Purchase from www.xlrecordings.com

The White Stripes

De Stijl

I’m Bound To Pack It Up [3:00]

V2 Records Available at Amazon.com* , or download from iTunes or emusic.com*

Aluminium

Aluminium

I’m Bound To Pack It Up [4:00] Forever For Her (Is Over For Me ) [4:30]

See above.

Kennedy & Jaz Coleman

The Doors Concerto

Riders On the Storm [6:30] Spanish Caravan [6:00]

Decca #289 467 350** www.universalclassics.com *

David Byrne

The Forest

Kish [6:00]

Luaka Bop #26584 ** www.luakabop.com *

Jon Lord

Sarabande

Bourree [5:00] Pavan [5:00]

EMI #PPSA-7516 1976 LP Reissued on CD in 2001 on Spitfire Records available for purchase at Amazon.com*

Listener Comments Comment | Refresh
[1]
Posted by: Ron Summa
February 09, 2008 - 11:48AM
Westchester County, NY

The music from the Doors Concerto was simply outstanding. I tuned in just after the first cut, Riders On The Storm had begun, so I didn't know what I was about to hear. As I listened, I sensed a familiarity that I couldn't identify immediately. When I recognized I was listening to a Doors' rhythm, a very pleasing smile came to my face. Sadly, I was to hear only two of these wonderful orchestral arrangements. I now, however, am on a mission to find the recording and acquire it so that I may enjoy the entire work. Thanks for bringing this superb music to your listeners. Warm regards, Ron Summa

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