On Demand
New Sounds
-
Innovative Deviations
On this edition of New Sounds, there's a load of new music for guitar. Classically trained, but just as likely to give a nod to Prince and/or Black Sabbath, Dominic Frasca is a guitarist who makes his own instruments so as not to be confined to just 6 strings. Hear "Dark Age Machinery," and the title track from his latest CD release, "Deviations." Then there's also music by Forastiere, who, like Michael Hedges, uses tapping, muting, and alternate tunings to great effect. Plus, hear selections from the most recent John Fahey collection and a tune by Michael Hedges as well.
PROGRAM # 2272, Music for Guitar (Tues. 4-13-04)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Dominic Frasca |
Deviations |
Marc Mellits (arr. Frasca): Dark Age Machinery [2:30] |
Quicksilver, no #. www.dominicfrasca.com |
|
Michael Hedges |
Live ON the Double Planet |
Because It's There [3:00] |
Windham Hill #1066** www.windham.com |
|
Forastiere |
Rag Tap Boom |
Non Sense [3:30] |
S3L #003 |
|
John Fahey |
The Best of John Fahey, Vol 2, 1964-1983 |
Frisco Leaving Birmingham [3:30] |
Takoma #8916** www.fantasyjazz.com* |
|
Dominic Frasca |
Deviations |
Deviations, excerpt [12:30] |
See above. |
|
Curtis High School Guitar Ensemble |
Scenes from Ellis Island by Benjamin Verdery conducted by Lou Mannarino |
Scenes from Ellis Island [12:00] |
Private CD release. Info and other CDs at www.gamisim.com |
*, ** Find the recordings you've heard - go to the New Sounds Recordings Information page
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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