On Demand
New Sounds
-
Songs & Choros
Choro is a musical style which first emerged in the 1870s. Literally meaning "a cry," choro may also refer to lilting melodic lines that sound like they are weeping. Somehow the choro evolved into a mix of the happy and the melancholy, as Brazilian street musicians combined serenades with African elements, namely syncopated rhythms, which were gradually played faster over time. On this edition of New Sounds, hear choros and songs from Brazil, including Choro #7, a duo full of rich grooves by pianist Cesar Camargo Mariano with guitar player Romero Lubambo. There’s also music by Brazilian singer/songwriter and musical revolutionary Caetano Veloso, who tackles American popular song on his recent CD, A Foreign Sound. He somehow manages to make popular standards, like “Manhattan,” and “Love For Sale” fresh, new, and unbelievably beautiful in the phrasing and arrangements. Hear selections from Veloso, along with works by Badi Assad with Larry Coryell and John Abercrombie, Sharon Isbin and Thiago de Mello, and more.
PROGRAM #2286, Songs & Choros From Brazil (First aired 5/20/2004)
|
ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
|
Wolfgang Lendle |
Heitor Villa-Lobos: Complete Guitar Works |
Choros Tipico [1:30] |
Teldec #44134, out of print. |
|
Caetano Veloso |
A Foreign Sound |
Cry Me A River [3:30] |
Nonesuch #79823** www.nonesuch.com* |
|
Sharon Isbin & Thiago De Mello |
Journey To The Amazon |
Choro Allegre [2:00] |
Teldec #19899** |
|
Various artists: Cesar Camargo Mariano & Romero Lubambo |
Trama 2003 International Sampler |
Choro #7 [5:00] |
|
|
Caetano Veloso |
A Foreign Sound |
Nature Boy [3:30] |
See above. |
|
Celso Fonseca |
Natural |
Sem Resposta [2:30] |
Six Degrees #1086** www.sixdegreesrecords.com* |
|
Sergio & Odair Assad |
Saga Dos Migrantes |
Infancia [4:30]] |
Nonesuch #79385** www.nonesuch.com* |
|
Larry Coryell, Badi Assad, & John Abercrombie |
Three Guitars |
Seu Jorge e Dona Ica [6:00] |
Chesky #248** www.chesky.com* |
|
Modern Mandolin Quartet |
Pan-American Journeys |
Assanhado [4:30] |
See above. |
|
Caetano Veloso |
A Foreign Sound |
Nothing But Flowers [4:30] |
See above. |
|
Celso Fonseca |
Natural |
Bom Sinal [5:00] |
See above. |
|
Morelenbaum2/ Sakamoto |
A Day In New York |
Chora Coracao [4:30] |
Sony #80018** www.sonyclassical.com* |
|
Celso Fonseca |
Natural |
Buteco 2 [5:00] |
See above. |
*, ** - Find the recordings you've heard - go to the New Sounds Recordings Information page
Podcast
Stay up to date.
Subscribe to the Podcast
New Sounds Live
2008-2009 Concert Season
Bobby Previte's musical miniatures, mystical choral music by Morton Feldman and Arvo Part, peace pieces for piano, and post-rock/post-jazz.
More
New Sounds on Facebook
Befriend us and receive infrequent reminders about show happenings! Oh, and check out our friends!
More
New Sounds Live
Highlights with Audio
An exclusive presentation of New Sounds Live and WNYC Live performances for the website, featuring performances from inside and outside the WNYC studios from over three decades.
More
Twitchy Renaissance-Infused Minimalism
New Sounds
From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.
In Robert Moran's Kitchen
New Sounds
From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.
Michael Hedges and Michael Manring
New Sounds
The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
Caravan Variations
New Sounds
Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
- Comments [2]
- Radiolab: Choice (11/14/2008)
- The Brian Lehrer Show: The Hybrid Economy (11/18/2008)
- The Brian Lehrer Show: Agriculture Warrior (11/17/2008)
- The Brian Lehrer Show: Bubble Bubble Toil and Trouble (11/19/2008)
- Radiolab: Sperm (11/21/2008)
- The Leonard Lopate Show: Secrets of Success (11/19/2008)
- The Leonard Lopate Show: Sex Politics (11/17/2008)

Leave a Comment
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. WNYC reserves the right to edit any comments posted on this site. Please read the WNYC.org Comment Guidelines before posting.